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There's no one on the island telling them they're not good enough, so they just go ahead and sing and paint and write.

Eric Weiner

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Eric Weiner
Age: 61
Born: 1963
Born: January 1
Author
Journalist
the United States of America
Paint
Telling
Write
Enough
Writing
Island
Good
Islands
Ahead
Sing

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If you walk into a coffee shop in 1903 Vienna, you might find at the same table the artist Gustav Klimt, Sigmund Freud, Leon Trotsky and possibly Adolf Hitler, who lived in Vienna at the same time.
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When you're stuck on something creatively, you can't solve a problem, you go to a coffee shop.
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It's not what we believe that makes us happy but the act of believing. In anything.
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A Mozart symphony is very much like a Pixar movie - in the sense that Pixar movies are hugely successful because they operate on several levels at the same time.
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Until the eighteenth century, people believed that biblical paradise, the Garden of Eden, was a real place. It appeared on maps--located, ironically, at the confluence of the Tigris and Euphrates rivers, in what is now modern-day Iraq.
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Compromise is a skill, and like all skills it atrophies from lack of use.
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Part of positive psychology is about being positive, but sometimes laughter and clowns are not appropriate. Some people don't want to be happy, and that's okay. They want meaningful lives, and those are not always the same as happy lives.
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Money matters but less than we think and not in the way that we think. Family is important. So are friends. Envy is toxic. So is excessive thinking. Beaches are optional. Trust is not. Neither is gratitude.
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Genius is not only a what or a who, it is a where. It is grounded in a place every single time.
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What is the ideal audio atmosphere for creativity and it turns out it is not complete silence, and it is not a very loud atmosphere, it's something about 70 decibels.
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I've always been a big believer in the power of place. I believe that where we are affects who we are when it comes to happiness, spirituality, economics and creative genius.
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A confused mind is one that is open to the possibility of change.
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Don't forget that Mozart worked on commission. He almost always would write something if he knew exactly who was paying for it and where it would be performed. So you can't really separate the creation of genius from the appreciation of it.
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I've always believed that happiness is just around the corner. The trick is fining the right corner.
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That's why we feel so disoriented, irritated even, when these touchstones from our past are altered. We don't like it when our hometown changes, even in small ways. It's unsettling. The playground! It used to be right here, I swear. Mess with our hometown, and you're messing with our past, with who we are. Nobody likes that.
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I'm interested in genius the way a hungry man is interested in Philadelphia cheesesteaks. I want something. I want a piece of it.
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Music was literally in the air at the time, the Vienna of 1780. Everybody played music, classical music. There were in fact so many musicians that in apartment buildings people had to come up with a schedule - you practice at 5 p.m., I'll practice at 6 p.m. That way the music didn't collide with one another.
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I think we should have more coffeehouses, more cafes, more third places. More places where people can get together that's not work, not home, and where they can interact with people who are different from them.
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When you drink coffee, you become very focused, and in fact, the key to creative genius is to be defocused.
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Believing in everything looks a lot like believing in nothing.
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