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If you create you will also wait, and while you're waiting you will want to be patient but not idle... responses from the world often take a long time.
Eric Maisel
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Eric Maisel
Age: 77
Born: 1947
Born: January 14
Author
Playwright
Psychologist
Teacher
The Bronx
New York City
Take
Patience
Long
Patient
Time
Response
World
Wait
Create
Waiting
Often
Responses
Also
Idle
More quotes by Eric Maisel
Settle into mystery as you would settle into your most comfortable chair. Listen. Have visions. Lose yourself.
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Ambition is vital, but dangerous: it is a keen motive and a driving force, but over what edge can it drive the artist?
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It is in an artist's real interest to congratulate herself more often: not out of narcissism, but in her role as her own dear friend and advocate.
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Whatever pain and suffering you've experienced in your life has been a blessing at least in this one regard: you now know some true things that you couldn't have learned any other way.
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It is the job of each artist to believe in the possibility of meaningful, substantial, and sustainable change.
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By 'expecting nothing' you are not 'giving up.' Far from it! You are making a decision to focus on what needs to be done rather than on outcomes.
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Boredom is the thing that regularly arrives between excitements and episodes of meaning: it is as natural as the tides, and in it an artist can drown.
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The middle way cannot be achieved by dividing two extremes in half.
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Affirmations are not bound up in rules. An affirmation can be long or short, poetic or plain. If you love a phrase and find that it helps you, that is a valid affirmation.
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Humanitarian convictions are the linchpins of our salvation, and these an artist must champion.
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An ability to choose is a necessity for the artist.
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As the artist matures she is continuously shaken by what she manages to discover: by the earth shifting beneath her feet once again, by her own amazed, ringing laughter.
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While some part of the artwork may fail, the whole may have its own unique importance.
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Remind yourself of the value of detaching from work that's out of your hands and committing to new work that wants to be born.
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If you bring your sexual impulses to your creative work... you'll be working from deep in the genetic code, down where life wants to make new life and feel good in the process.
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When a thing is not done, continuing to work is the strength but when it is done, the strength lies in stopping.
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The artist, who must venture into the studio and risk there, and then venture into the marketplace and risk again, is obliged to learn how her defences work, so that she can drop and raise her guard instantly.
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The wise artist makes peace with the fact that he will understand less than he had anticipated.
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I am a human being and an artist: I really, simply, surely am.
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The artist must possess at least as much conviction as does his enemy, the dogmatic, mealy-mouthed, anti-art bigot.
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