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While some part of the artwork may fail, the whole may have its own unique importance.
Eric Maisel
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Eric Maisel
Age: 77
Born: 1947
Born: January 14
Author
Playwright
Psychologist
Teacher
The Bronx
New York City
Fail
Importance
Unique
Failing
Part
May
Whole
Artwork
More quotes by Eric Maisel
The artist, busy and unsettled, can find a moment's peace - and even whole-being rejuvenation - by quietly attuning to a red sky, a gray sky, a black sky, a blue sky.
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Talent is so loaded a word, so full to the brim with meanings, that an artist might be wise to forget about it altogether and just keep on working.
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All space is space in which to create.
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An artist's fine goal is to manifest a well-nigh heroic self-discipline, carefully attending to all that concerns him.
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A long, deep breath is the equivalent of a full stop and the key to centering.
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Many people are embarrassed to create in public. It feels unseemly to them, like kissing in plain view... Make a spectacle of yourself.
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A time comes, after years in the trenches, when the artist begins to fathom what his career has looked like so far and what it will look like if he continues as he's proceeded.
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The artist must possess at least as much conviction as does his enemy, the dogmatic, mealy-mouthed, anti-art bigot.
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Abstraction is itself an abstract word and has no single meaning ... Every word in our language is abstract, because it represents something else.
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Affirmations are not bound up in rules. An affirmation can be long or short, poetic or plain. If you love a phrase and find that it helps you, that is a valid affirmation.
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If you bring your sexual impulses to your creative work... you'll be working from deep in the genetic code, down where life wants to make new life and feel good in the process.
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When you flow like water you bring all of your talents and resources to your creative work... Flow around every obstacle you encounter, including any you've erected yourself.
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Ambition is vital, but dangerous: it is a keen motive and a driving force, but over what edge can it drive the artist?
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An ability to choose is a necessity for the artist.
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The more sophisticated we become - as we pierce reality and see the void beyond - the more our sense of wonder is destroyed, along with our reasons for being.
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Go directly to work' means... when an idea strikes, you drop everything and when your work bell tolls, you answer it.
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We have enough experiences in a day to make art for a decade.
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Deconstruction is great for the intellect, but it hurts the heart terribly.
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It is the job of each artist to believe in the possibility of meaningful, substantial, and sustainable change.
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The artist, who must venture into the studio and risk there, and then venture into the marketplace and risk again, is obliged to learn how her defences work, so that she can drop and raise her guard instantly.
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