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While some part of the artwork may fail, the whole may have its own unique importance.

Eric Maisel

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Eric Maisel
Age: 77
Born: 1947
Born: January 14
Author
Playwright
Psychologist
Teacher
The Bronx
New York City
May
Whole
Artwork
Fail
Importance
Unique
Failing
Part

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A long, deep breath is the equivalent of a full stop and the key to centering.
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Artists know failure. It is not tragic that they know failure it is only tragic if they know failure and little else.
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The middle way cannot be achieved by dividing two extremes in half.
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An artist's fine goal is to manifest a well-nigh heroic self-discipline, carefully attending to all that concerns him.
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Abstraction is itself an abstract word and has no single meaning ... Every word in our language is abstract, because it represents something else.
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The artist, busy and unsettled, can find a moment's peace - and even whole-being rejuvenation - by quietly attuning to a red sky, a gray sky, a black sky, a blue sky.
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To create you must quiet your mind. You need a quiet mind so that ideas will have a chance of connecting.
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All space is space in which to create.
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If you create you will also wait, and while you're waiting you will want to be patient but not idle... responses from the world often take a long time.
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Keenly aware of their limitations, artists often remain insecure even as their list of successes grows.
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An artist who is too self-centered is liable to exhibit faults he abhors: carelessness, callousness, and even downright cruelty.
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Art and business may be strange bedfellows, but an artist must make room in her bed for both.
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The artist, who must venture into the studio and risk there, and then venture into the marketplace and risk again, is obliged to learn how her defences work, so that she can drop and raise her guard instantly.
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One visit with a child can supply us with enough creativity dust to last for a lifetime... Visit with children like you're the child you ought to be more often.
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The more sophisticated we become - as we pierce reality and see the void beyond - the more our sense of wonder is destroyed, along with our reasons for being.
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Many people are embarrassed to create in public. It feels unseemly to them, like kissing in plain view... Make a spectacle of yourself.
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Artists have wild desires and a terrible hunger to achieve... Without it they haven't the juice for striving or loving. But desire also can make them greedy and turn dreams into unrealizable obsessions.
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An inability to choose is a hallmark of anxiety... The too-anxious artist, afraid to choose, will halt dead in the water.
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Ambition is vital, but dangerous: it is a keen motive and a driving force, but over what edge can it drive the artist?
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If, because of anxiety and self-doubt, you procrastinate and only think about working, you'll feel more exhausted than if you'd created for hours.
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