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While some part of the artwork may fail, the whole may have its own unique importance.

Eric Maisel

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Eric Maisel
Age: 77
Born: 1947
Born: January 14
Author
Playwright
Psychologist
Teacher
The Bronx
New York City
Failing
Part
May
Whole
Artwork
Fail
Importance
Unique

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Talent is so loaded a word, so full to the brim with meanings, that an artist might be wise to forget about it altogether and just keep on working.
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Isn't today a day to devote to craft? Isn't tomorrow? Isn't every day, routinely, until the end of time?
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When the artist activates his being, awakens to his surroundings, and sets himself the task of creating, connections are made out of conscious awareness that return coalesced as inspiration.
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Artists have wild desires and a terrible hunger to achieve... Without it they haven't the juice for striving or loving. But desire also can make them greedy and turn dreams into unrealizable obsessions.
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Ambition is vital, but dangerous: it is a keen motive and a driving force, but over what edge can it drive the artist?
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Boredom is the thing that regularly arrives between excitements and episodes of meaning: it is as natural as the tides, and in it an artist can drown.
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An inability to choose is a hallmark of anxiety... The too-anxious artist, afraid to choose, will halt dead in the water.
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Remind yourself of the value of detaching from work that's out of your hands and committing to new work that wants to be born.
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A time comes, after years in the trenches, when the artist begins to fathom what his career has looked like so far and what it will look like if he continues as he's proceeded.
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Affirmations are not bound up in rules. An affirmation can be long or short, poetic or plain. If you love a phrase and find that it helps you, that is a valid affirmation.
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A composition is an arrangement, built out of parts, that aims at seamlessness.
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The more sophisticated we become - as we pierce reality and see the void beyond - the more our sense of wonder is destroyed, along with our reasons for being.
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An alive piece of art may be more alive than much of its audience, and with this odd truth artists must make peace.
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The artist must possess at least as much conviction as does his enemy, the dogmatic, mealy-mouthed, anti-art bigot.
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Because she favours solitude and indwelling, an artist can live a significantly more claustrophobic life that she had ever intended.
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It is in an artist's real interest to congratulate herself more often: not out of narcissism, but in her role as her own dear friend and advocate.
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As the artist matures she is continuously shaken by what she manages to discover: by the earth shifting beneath her feet once again, by her own amazed, ringing laughter.
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Many people are embarrassed to create in public. It feels unseemly to them, like kissing in plain view... Make a spectacle of yourself.
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By 'expecting nothing' you are not 'giving up.' Far from it! You are making a decision to focus on what needs to be done rather than on outcomes.
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Creativity is part sweat - not just beads of it, but sometimes buckets.
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