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Humanitarian convictions are the linchpins of our salvation, and these an artist must champion.

Eric Maisel

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Eric Maisel
Age: 77
Born: 1947
Born: January 14
Author
Playwright
Psychologist
Teacher
The Bronx
New York City
Salvation
Humanity
Artist
Must
Humanitarian
Convictions
Champion
Conviction

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Creativity is the gift that keeps on giving.
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Many people are embarrassed to create in public. It feels unseemly to them, like kissing in plain view... Make a spectacle of yourself.
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Abstraction is itself an abstract word and has no single meaning ... Every word in our language is abstract, because it represents something else.
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To obsess too virulently is to walk alone in anxiety. But to obsess too little is to wall oneself off from one's own creativity.
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An artist's fine goal is to manifest a well-nigh heroic self-discipline, carefully attending to all that concerns him.
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An alive piece of art may be more alive than much of its audience, and with this odd truth artists must make peace.
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All space is space in which to create.
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The artist, who must venture into the studio and risk there, and then venture into the marketplace and risk again, is obliged to learn how her defences work, so that she can drop and raise her guard instantly.
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The artist is a god, but he is also an idiot. That is the human way.
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An ability to choose is a necessity for the artist.
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Boredom is the thing that regularly arrives between excitements and episodes of meaning: it is as natural as the tides, and in it an artist can drown.
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Artists have wild desires and a terrible hunger to achieve... Without it they haven't the juice for striving or loving. But desire also can make them greedy and turn dreams into unrealizable obsessions.
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A long, deep breath is the equivalent of a full stop and the key to centering.
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Talent is so loaded a word, so full to the brim with meanings, that an artist might be wise to forget about it altogether and just keep on working.
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When the artist activates his being, awakens to his surroundings, and sets himself the task of creating, connections are made out of conscious awareness that return coalesced as inspiration.
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The middle way cannot be achieved by dividing two extremes in half.
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While some part of the artwork may fail, the whole may have its own unique importance.
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The artist must possess at least as much conviction as does his enemy, the dogmatic, mealy-mouthed, anti-art bigot.
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Keenly aware of their limitations, artists often remain insecure even as their list of successes grows.
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It is the job of each artist to believe in the possibility of meaningful, substantial, and sustainable change.
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