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Artists know failure. It is not tragic that they know failure it is only tragic if they know failure and little else.

Eric Maisel

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Eric Maisel
Age: 77
Born: 1947
Born: January 14
Author
Playwright
Psychologist
Teacher
The Bronx
New York City
Else
Littles
Little
Tragic
Artists
Failure
Artist

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A long, deep breath is the equivalent of a full stop and the key to centering.
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Chaos is everywhere - and artists, to fashion art and live truthfully, have no choice but to invite this unwanted guest right into the studio.
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Creativity is the marriage humanity makes with eternity.
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The artist, who must venture into the studio and risk there, and then venture into the marketplace and risk again, is obliged to learn how her defences work, so that she can drop and raise her guard instantly.
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If you bring your sexual impulses to your creative work... you'll be working from deep in the genetic code, down where life wants to make new life and feel good in the process.
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The artist can't paint, sing, or dance without emotion: if he does, he is a machine masquerading as a person.
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Let each of us dream of a community of artists and work to make that dream a reality.
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One visit with a child can supply us with enough creativity dust to last for a lifetime... Visit with children like you're the child you ought to be more often.
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As the artist matures she is continuously shaken by what she manages to discover: by the earth shifting beneath her feet once again, by her own amazed, ringing laughter.
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Talent is so loaded a word, so full to the brim with meanings, that an artist might be wise to forget about it altogether and just keep on working.
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All space is space in which to create.
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Whatever pain and suffering you've experienced in your life has been a blessing at least in this one regard: you now know some true things that you couldn't have learned any other way.
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By 'expecting nothing' you are not 'giving up.' Far from it! You are making a decision to focus on what needs to be done rather than on outcomes.
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Artists have wild desires and a terrible hunger to achieve... Without it they haven't the juice for striving or loving. But desire also can make them greedy and turn dreams into unrealizable obsessions.
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A time comes, after years in the trenches, when the artist begins to fathom what his career has looked like so far and what it will look like if he continues as he's proceeded.
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Ambition is vital, but dangerous: it is a keen motive and a driving force, but over what edge can it drive the artist?
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The artist at her best - wild, passionate, rebellious, and human - is often too large and truthful a creature for society's taste. The artist at her most outlandish - profane, eccentric, even a little mad - is at least as disquieting a figure.
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Boredom is the thing that regularly arrives between excitements and episodes of meaning: it is as natural as the tides, and in it an artist can drown.
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Remind yourself of the value of detaching from work that's out of your hands and committing to new work that wants to be born.
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Humanitarian convictions are the linchpins of our salvation, and these an artist must champion.
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