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An ability to choose is a necessity for the artist.

Eric Maisel

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Eric Maisel
Age: 77
Born: 1947
Born: January 14
Author
Playwright
Psychologist
Teacher
The Bronx
New York City
Necessity
Choose
Choices
Ability
Artist

More quotes by Eric Maisel

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A time comes, after years in the trenches, when the artist begins to fathom what his career has looked like so far and what it will look like if he continues as he's proceeded.
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Artists know failure. It is not tragic that they know failure it is only tragic if they know failure and little else.
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To obsess too virulently is to walk alone in anxiety. But to obsess too little is to wall oneself off from one's own creativity.
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A composition is an arrangement, built out of parts, that aims at seamlessness.
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Affirmations are not bound up in rules. An affirmation can be long or short, poetic or plain. If you love a phrase and find that it helps you, that is a valid affirmation.
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The more sophisticated we become - as we pierce reality and see the void beyond - the more our sense of wonder is destroyed, along with our reasons for being.
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Many people are embarrassed to create in public. It feels unseemly to them, like kissing in plain view... Make a spectacle of yourself.
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The middle way cannot be achieved by dividing two extremes in half.
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The artist, who must venture into the studio and risk there, and then venture into the marketplace and risk again, is obliged to learn how her defences work, so that she can drop and raise her guard instantly.
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The artist, busy and unsettled, can find a moment's peace - and even whole-being rejuvenation - by quietly attuning to a red sky, a gray sky, a black sky, a blue sky.
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Let each of us dream of a community of artists and work to make that dream a reality.
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Creativity is part sweat - not just beads of it, but sometimes buckets.
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Remind yourself of the value of detaching from work that's out of your hands and committing to new work that wants to be born.
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While some part of the artwork may fail, the whole may have its own unique importance.
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It is in an artist's real interest to congratulate herself more often: not out of narcissism, but in her role as her own dear friend and advocate.
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Keenly aware of their limitations, artists often remain insecure even as their list of successes grows.
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The artist can't paint, sing, or dance without emotion: if he does, he is a machine masquerading as a person.
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Because she favours solitude and indwelling, an artist can live a significantly more claustrophobic life that she had ever intended.
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It is the job of each artist to believe in the possibility of meaningful, substantial, and sustainable change.
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If you bring your sexual impulses to your creative work... you'll be working from deep in the genetic code, down where life wants to make new life and feel good in the process.
Eric Maisel