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I'm mostly coming at the superhero legends as an outsider, I know them and I studied them but I didn't really grow up with them, but I think it allows me to sort of analyze them in a way that's kind of interesting.

Eric Kripke

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Eric Kripke
Age: 50
Born: 1974
Born: April 24
Film Director
Film Producer
Screenwriter
Television Director
Television Producer
Television Writer
Toledo
Ohio
Way
Grow
Outsider
Think
Coming
Analyze
Thinking
Sort
Superhero
Grows
Outsiders
Interesting
Legends
Didn
Studied
Kind
Allows
Really
Mostly

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At the end of day, people are starving and, if people are starving and thirsty and they need to keep their families alive, people become desperate quickly. There are real world examples of this.
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People love a good mystery I understand that.
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I really am a very research-oriented writer.
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I have a bad habit, in the shows that I run, of killing off the people that I love.
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Kids aint supposed to be grateful! They're supposed to eat your food, break your heart.
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There are so many shows out there, so you really need to work hard to separate yourself and cut through the static.
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I've never counted my chickens before they've hatched.
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I like to find ideas where the research is going to be fun.
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I'm kind of a comic book geek, but I'm not really a super hero comic book geek.
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I've always said at the beginning of every single season of the show when I was running the show in the writers' room, This is the last season, so let's smoke 'em if we've got 'em.
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Driver picks the music, shotgun shuts his cakehole.
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In TV and movies, you kill yourself spending all this time to think up the symbolism or what if that deer that runs across your hero's path somehow conveys what's going on inside your hero's head? When a lot of times, you just want to hear what he's thinking.
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I've had a lifelong obsession with urban legends and American folklore.
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A show is going to be good and fun to work on, if the research is interesting.
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I like to tell stories that have beginnings, middles and ends.
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Every so often you want to map out your plot mythology but never so specifically that you can’t let a story surprise you. You want to allow the type of action of the writer’s room so that you have the ability to take a left turn.
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It's hard asking someone with a broken heart to fall in love again.
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