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I like to tell stories that have beginnings, middles and ends.

Eric Kripke

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Eric Kripke
Age: 50
Born: 1974
Born: April 24
Film Director
Film Producer
Screenwriter
Television Director
Television Producer
Television Writer
Toledo
Ohio
Middles
Beginnings
Tell
Ends
Stories
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It's hard asking someone with a broken heart to fall in love again.
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Television showrunners are a foolishly optimistic bunch.
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I'm mostly coming at the superhero legends as an outsider, I know them and I studied them but I didn't really grow up with them, but I think it allows me to sort of analyze them in a way that's kind of interesting.
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You think you're funny? I think I'm adorable.
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When I am kicking around show ideas, or really any idea, usually an image comes to me. I don't really start with a character or a logline like, What if the electricity turned off?
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I've always said at the beginning of every single season of the show when I was running the show in the writers' room, This is the last season, so let's smoke 'em if we've got 'em.
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There are so many shows out there, so you really need to work hard to separate yourself and cut through the static.
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We are definitely living in the butterfly effect theory, where any change that is made in the past is going to have a very logical cause-and-effect ramification of the present.
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I really am a very research-oriented writer.
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I've never counted my chickens before they've hatched.
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I've had a lifelong obsession with urban legends and American folklore.
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I'm going to put out something that I believe in, or I'm not going to do it. I'm really scared of putting out a product that people will say, Oh, that's not as good as the other thing.
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Beyond all our Blackberries and iPhones, we're dangerously separated from our food and water supplies.
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Driver picks the music, shotgun shuts his cakehole.
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A show is going to be good and fun to work on, if the research is interesting.
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I like to find ideas where the research is going to be fun.
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Your half-caff double vanilla latte is getting cold over here, Francis.
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At the end of day, people are starving and, if people are starving and thirsty and they need to keep their families alive, people become desperate quickly. There are real world examples of this.
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Kids aint supposed to be grateful! They're supposed to eat your food, break your heart.
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Every so often you want to map out your plot mythology but never so specifically that you can’t let a story surprise you. You want to allow the type of action of the writer’s room so that you have the ability to take a left turn.
Eric Kripke