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Your half-caff double vanilla latte is getting cold over here, Francis.

Eric Kripke

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Eric Kripke
Age: 50
Born: 1974
Born: April 24
Film Director
Film Producer
Screenwriter
Television Director
Television Producer
Television Writer
Toledo
Ohio
Cold
Getting
Half
Latte
Lattes
Vanilla
Francis
Double

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You think you're funny? I think I'm adorable.
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It's hard asking someone with a broken heart to fall in love again.
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At the end of day, people are starving and, if people are starving and thirsty and they need to keep their families alive, people become desperate quickly. There are real world examples of this.
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We are definitely living in the butterfly effect theory, where any change that is made in the past is going to have a very logical cause-and-effect ramification of the present.
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A show is going to be good and fun to work on, if the research is interesting.
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I really am a very research-oriented writer.
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I like to tell stories that have beginnings, middles and ends.
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I've always said at the beginning of every single season of the show when I was running the show in the writers' room, This is the last season, so let's smoke 'em if we've got 'em.
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I'm mostly coming at the superhero legends as an outsider, I know them and I studied them but I didn't really grow up with them, but I think it allows me to sort of analyze them in a way that's kind of interesting.
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When I am kicking around show ideas, or really any idea, usually an image comes to me. I don't really start with a character or a logline like, What if the electricity turned off?
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I have a bad habit, in the shows that I run, of killing off the people that I love.
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I'm kind of a comic book geek, but I'm not really a super hero comic book geek.
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People love a good mystery I understand that.
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Television showrunners are a foolishly optimistic bunch.
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I've had a lifelong obsession with urban legends and American folklore.
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I'm going to put out something that I believe in, or I'm not going to do it. I'm really scared of putting out a product that people will say, Oh, that's not as good as the other thing.
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I've never counted my chickens before they've hatched.
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In TV and movies, you kill yourself spending all this time to think up the symbolism or what if that deer that runs across your hero's path somehow conveys what's going on inside your hero's head? When a lot of times, you just want to hear what he's thinking.
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Every so often you want to map out your plot mythology but never so specifically that you can’t let a story surprise you. You want to allow the type of action of the writer’s room so that you have the ability to take a left turn.
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Driver picks the music, shotgun shuts his cakehole.
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