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It's hard asking someone with a broken heart to fall in love again.

Eric Kripke

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Eric Kripke
Age: 50
Born: 1974
Born: April 24
Film Director
Film Producer
Screenwriter
Television Director
Television Producer
Television Writer
Toledo
Ohio
Love
Asking
Broken
Fall
Someone
Hard
Heart

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Driver picks the music, shotgun shuts his cakehole.
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Beyond all our Blackberries and iPhones, we're dangerously separated from our food and water supplies.
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People love a good mystery I understand that.
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You think you're funny? I think I'm adorable.
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There are so many shows out there, so you really need to work hard to separate yourself and cut through the static.
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I like to find ideas where the research is going to be fun.
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When I am kicking around show ideas, or really any idea, usually an image comes to me. I don't really start with a character or a logline like, What if the electricity turned off?
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We are definitely living in the butterfly effect theory, where any change that is made in the past is going to have a very logical cause-and-effect ramification of the present.
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I have a bad habit, in the shows that I run, of killing off the people that I love.
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I really am a very research-oriented writer.
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I'm mostly coming at the superhero legends as an outsider, I know them and I studied them but I didn't really grow up with them, but I think it allows me to sort of analyze them in a way that's kind of interesting.
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Your half-caff double vanilla latte is getting cold over here, Francis.
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A show is going to be good and fun to work on, if the research is interesting.
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At the end of day, people are starving and, if people are starving and thirsty and they need to keep their families alive, people become desperate quickly. There are real world examples of this.
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I've had a lifelong obsession with urban legends and American folklore.
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In TV and movies, you kill yourself spending all this time to think up the symbolism or what if that deer that runs across your hero's path somehow conveys what's going on inside your hero's head? When a lot of times, you just want to hear what he's thinking.
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Every so often you want to map out your plot mythology but never so specifically that you can’t let a story surprise you. You want to allow the type of action of the writer’s room so that you have the ability to take a left turn.
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Television showrunners are a foolishly optimistic bunch.
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I'm kind of a comic book geek, but I'm not really a super hero comic book geek.
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I've always said at the beginning of every single season of the show when I was running the show in the writers' room, This is the last season, so let's smoke 'em if we've got 'em.
Eric Kripke