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Street art is about as religious as I get - that's my faith, that even if people screen it out and didn't think they saw it, they did. Even if it was for a split second, it's become part of them and it's affecting them somehow.

Eric Drooker

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Eric Drooker
Age: 66
Born: 1958
Born: January 1
Comics Artist
Painter
New York City
New York
Art
Affecting
Didn
Split
Become
Screen
Part
Somehow
Even
Street
Think
Second
Thinking
Religious
People
Faith

More quotes by Eric Drooker

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Doing art that has a happy ending, that doesn't seem really corny, is extremely difficult to pull off convincingly.
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Art grabs people by their eyeballs, it seduces them ... art is a means to an end rather than simply an end in itself.
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The trick is not to look back, but keep on expressing where I'm at now. It's challenging to create something new, so it's crucial to dwell in the present moment.
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The poster art over the years, art with social critique in it, has always been trying to make that point - that we are larger than they are.
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We all know artists who like to collaborate, who like to work as a team. It all kind of depends what your habitual working method is.
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Street posters allowed you to have the last word. If you put them up in your neighborhood, you were speaking to your neighbor.
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Americans didn't really have any experience with something as basic as community.
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I think for an artist there are so many things to make pictures of now, that everyone else may be suffering, but at least artists will just be stimulated by it all.
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Whether it's a street poster on a brick wall, a magazine cover on a newsstand, or animation on a movie screen - art is an effective means of communicating with large numbers of people.
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When I was in my early twenties I was doing tenant organizing - rent strikes, specifically - in my building. I think that was how I started doing poster art. It was something very concrete.
Eric Drooker
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Infiltrating the mainstream was a natural extension of my street art. I've always tried to communicate ideas to the public as directly as possible.
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As I developed as an artist and studied art history, I noticed that all the great works were dealing with the human condition. [Art] had humor in it. It had sex in it. But it also had sorrow running through it.
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By the time I was in my early-twenties and was living there on the Lower East Side, I was so surrounded by tragedy that I think that inspired me to try to reflect it in the artwork.
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There's the fact that animation is extremely time-consuming, tedious, labor-intensive, and therefore, extremely expensive as an art form to really do it right, to really do full animation.
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Artists always live in the cracks anyway, whatever culture they're in. They're usually accustomed to not having much money, to kind of roughing it.
Eric Drooker
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In the U.S., ironically, people work longer hours in the U.S. than they do in Europe or in any other industrialized country. They seem utterly oblivious to May Day, don't really know what it is - our own history.
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I try to, at least once or twice a week, have someone over and model, usually a dancer friend or a poet or someone to come over and just stay still for me. Depending on how exhibitionist they are, it will determine the finished work. And I say, You're the muse you come up with it. I'll draw you however you want.
Eric Drooker
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The poster art over the years, art with social critique in it, has always been on class war theme. It's been trying to make that point - that we are larger than they are. They may have guns and pepper spray and helicopters and F16s and the whole U.S. military on their side, but when it comes down to it, we still have the numbers.
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Art is one of the few ways we have of dealing with things that frighten or anger us.
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When I was younger, when I was a teenager, the work was more satirical and funny and cartoony. And part of it was chops - if you have a more limited repertoire of stick figures and cartoon characters, they lend themselves more to humor than to tragedy.
Eric Drooker