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People don't work in factories, [they aren't] big muscular guys. The working class is flabby because they're sitting in front of a computer all day, but it's still their labor being extracted.
Eric Drooker
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Eric Drooker
Age: 66
Born: 1958
Born: January 1
Comics Artist
Painter
New York City
New York
People
Sitting
Muscular
Class
Factories
Guy
Fronts
Working
Front
Bigs
Guys
Stills
Labor
Still
Computer
Flabby
Work
Aren
Extracted
More quotes by Eric Drooker
In the U.S., ironically, people work longer hours in the U.S. than they do in Europe or in any other industrialized country. They seem utterly oblivious to May Day, don't really know what it is - our own history.
Eric Drooker
As I developed as an artist and studied art history, I noticed that all the great works were dealing with the human condition. [Art] had humor in it. It had sex in it. But it also had sorrow running through it.
Eric Drooker
I think for an artist there are so many things to make pictures of now, that everyone else may be suffering, but at least artists will just be stimulated by it all.
Eric Drooker
Doing art that has a happy ending, that doesn't seem really corny, is extremely difficult to pull off convincingly.
Eric Drooker
By the time I was in my early-twenties and was living there on the Lower East Side, I was so surrounded by tragedy that I think that inspired me to try to reflect it in the artwork.
Eric Drooker
The client isn't quite satisfied and then the prostitute is always unsatisfied but is doing it just to make ends meet. And if you're doing fine art, if you're doing it for a gallery or a museum, it's so sterilized. It's such an antiseptic environment.
Eric Drooker
The art was just a way of hooking people in, saying: Hey, maybe there's something cool about the tenant meeting. If the picture's really cool and weird, maybe I should check this out. And I think all of my art has really developed out of that realization.
Eric Drooker
The trick is not to look back, but keep on expressing where I'm at now. It's challenging to create something new, so it's crucial to dwell in the present moment.
Eric Drooker
We all know artists who like to collaborate, who like to work as a team. It all kind of depends what your habitual working method is.
Eric Drooker
With what we've been taught is the proper role of art, which is that you want to have it very neatly matted and framed and put on a white wall in some room where only a certain class of people are going to go in.
Eric Drooker
When I was in my early twenties I was doing tenant organizing - rent strikes, specifically - in my building. I think that was how I started doing poster art. It was something very concrete.
Eric Drooker
Whether it's a street poster on a brick wall, a magazine cover on a newsstand, or animation on a movie screen - art is an effective means of communicating with large numbers of people.
Eric Drooker
Art grabs people by their eyeballs, it seduces them ... art is a means to an end rather than simply an end in itself.
Eric Drooker
I don't even believe in magic, or ghosts or anything like that, and yet in a city like New York, on the subway, I definitely see ghosts and art seems to have some magical properties.
Eric Drooker
Street posters allowed you to have the last word. If you put them up in your neighborhood, you were speaking to your neighbor.
Eric Drooker
Artists always live in the cracks anyway, whatever culture they're in. They're usually accustomed to not having much money, to kind of roughing it.
Eric Drooker
Working people are working even longer hours, even though we won the eight-hour workday at the Haymarket General Strike in Chicago.
Eric Drooker
There's the fact that animation is extremely time-consuming, tedious, labor-intensive, and therefore, extremely expensive as an art form to really do it right, to really do full animation.
Eric Drooker
If I do a picture, I want the audience to be the people I was just packed against on the subway or on the street, walking on Fourteenth Street. I don't want it to be some narrow public that I myself feel alienated from.
Eric Drooker
Poster art was always my way of being involved in the conversation. So it wasn't just a one-way conversation with the police yelling at us or freaking us out. Street posters allowed you to have the last word.
Eric Drooker