Quote

Everyone wants to be part of the 99%, even the cops are like, No, no, man. I'm part of the 99% too. No one wants to be part of the 1%.

Eric Drooker

Change background

T
T
T

Change font

TAGS & TOPICS

Eric Drooker
Age: 66
Born: 1958
Born: January 1
Comics Artist
Painter
New York City
New York
Everyone
Part
Even
Men
Like
Cops
Cop
Wants

More quotes by Eric Drooker

Image
Poster art was always my way of being involved in the conversation. So it wasn't just a one-way conversation with the police yelling at us or freaking us out. Street posters allowed you to have the last word.
Eric Drooker
Image
If I do a picture, I want the audience to be the people I was just packed against on the subway or on the street, walking on Fourteenth Street. I don't want it to be some narrow public that I myself feel alienated from.
Eric Drooker
Image
Americans didn't really have any experience with something as basic as community.
Eric Drooker
Image
There's so much tragedy in people that we see every day that we don't have to make anything up. We don't have to invent anything. There are two items on the menu: comedy and tragedy.
Eric Drooker
Image
I try to, at least once or twice a week, have someone over and model, usually a dancer friend or a poet or someone to come over and just stay still for me. Depending on how exhibitionist they are, it will determine the finished work. And I say, You're the muse you come up with it. I'll draw you however you want.
Eric Drooker
Image
The poster art over the years, art with social critique in it, has always been trying to make that point - that we are larger than they are.
Eric Drooker
Image
By the time I was in my early-twenties and was living there on the Lower East Side, I was so surrounded by tragedy that I think that inspired me to try to reflect it in the artwork.
Eric Drooker
Image
Doing art that has a happy ending, that doesn't seem really corny, is extremely difficult to pull off convincingly.
Eric Drooker
Image
The poster art over the years, art with social critique in it, has always been on class war theme. It's been trying to make that point - that we are larger than they are. They may have guns and pepper spray and helicopters and F16s and the whole U.S. military on their side, but when it comes down to it, we still have the numbers.
Eric Drooker
Image
With what we've been taught is the proper role of art, which is that you want to have it very neatly matted and framed and put on a white wall in some room where only a certain class of people are going to go in.
Eric Drooker
Image
The art was just a way of hooking people in, saying: Hey, maybe there's something cool about the tenant meeting. If the picture's really cool and weird, maybe I should check this out. And I think all of my art has really developed out of that realization.
Eric Drooker
Image
When I was in my early twenties I was doing tenant organizing - rent strikes, specifically - in my building. I think that was how I started doing poster art. It was something very concrete.
Eric Drooker
Image
Illustrators are usually illustrating something big or commercial if not outright advertising. It's a form of prostitution, but that's cool because we don't have any moral hang-up about it.
Eric Drooker
Image
We all know artists who like to collaborate, who like to work as a team. It all kind of depends what your habitual working method is.
Eric Drooker
Image
We used to call the 1% the ruling class, but America's never felt comfortable using that terminology. It was taboo to talk about class war. Americans are okay talking about it like this everyone wants to be part of the 99%, even the cops are like, No, no, man. I'm part of the 99% too. No one wants to be part of the 1%.
Eric Drooker
Image
Infiltrating the mainstream was a natural extension of my street art. I've always tried to communicate ideas to the public as directly as possible.
Eric Drooker
Image
In the U.S., ironically, people work longer hours in the U.S. than they do in Europe or in any other industrialized country. They seem utterly oblivious to May Day, don't really know what it is - our own history.
Eric Drooker
Image
Working people are working even longer hours, even though we won the eight-hour workday at the Haymarket General Strike in Chicago.
Eric Drooker
Image
People don't work in factories, [they aren't] big muscular guys. The working class is flabby because they're sitting in front of a computer all day, but it's still their labor being extracted.
Eric Drooker
Image
Whether it's a street poster on a brick wall, a magazine cover on a newsstand, or animation on a movie screen - art is an effective means of communicating with large numbers of people.
Eric Drooker