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Illustrators are usually illustrating something big or commercial if not outright advertising. It's a form of prostitution, but that's cool because we don't have any moral hang-up about it.
Eric Drooker
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Eric Drooker
Age: 66
Born: 1958
Born: January 1
Comics Artist
Painter
New York City
New York
Usually
Illustrating
Moral
Illustrators
Bigs
Outright
Form
Prostitution
Something
Commercial
Hang
Advertising
Cool
More quotes by Eric Drooker
Whether it's a street poster on a brick wall, a magazine cover on a newsstand, or animation on a movie screen - art is an effective means of communicating with large numbers of people.
Eric Drooker
I don't even believe in magic, or ghosts or anything like that, and yet in a city like New York, on the subway, I definitely see ghosts and art seems to have some magical properties.
Eric Drooker
In the U.S., ironically, people work longer hours in the U.S. than they do in Europe or in any other industrialized country. They seem utterly oblivious to May Day, don't really know what it is - our own history.
Eric Drooker
I think for an artist there are so many things to make pictures of now, that everyone else may be suffering, but at least artists will just be stimulated by it all.
Eric Drooker
As I developed as an artist and studied art history, I noticed that all the great works were dealing with the human condition. [Art] had humor in it. It had sex in it. But it also had sorrow running through it.
Eric Drooker
Infiltrating the mainstream was a natural extension of my street art. I've always tried to communicate ideas to the public as directly as possible.
Eric Drooker
Doing art that has a happy ending, that doesn't seem really corny, is extremely difficult to pull off convincingly.
Eric Drooker
The trick is not to look back, but keep on expressing where I'm at now. It's challenging to create something new, so it's crucial to dwell in the present moment.
Eric Drooker
With what we've been taught is the proper role of art, which is that you want to have it very neatly matted and framed and put on a white wall in some room where only a certain class of people are going to go in.
Eric Drooker
Americans didn't really have any experience with something as basic as community.
Eric Drooker
The poster art over the years, art with social critique in it, has always been trying to make that point - that we are larger than they are.
Eric Drooker
Everyone wants to be part of the 99%, even the cops are like, No, no, man. I'm part of the 99% too. No one wants to be part of the 1%.
Eric Drooker
Art grabs people by their eyeballs, it seduces them ... art is a means to an end rather than simply an end in itself.
Eric Drooker
Street posters allowed you to have the last word. If you put them up in your neighborhood, you were speaking to your neighbor.
Eric Drooker
The poster art over the years, art with social critique in it, has always been on class war theme. It's been trying to make that point - that we are larger than they are. They may have guns and pepper spray and helicopters and F16s and the whole U.S. military on their side, but when it comes down to it, we still have the numbers.
Eric Drooker
By the time I was in my early-twenties and was living there on the Lower East Side, I was so surrounded by tragedy that I think that inspired me to try to reflect it in the artwork.
Eric Drooker
Poster art was always my way of being involved in the conversation. So it wasn't just a one-way conversation with the police yelling at us or freaking us out. Street posters allowed you to have the last word.
Eric Drooker
People don't work in factories, [they aren't] big muscular guys. The working class is flabby because they're sitting in front of a computer all day, but it's still their labor being extracted.
Eric Drooker
We used to call the 1% the ruling class, but America's never felt comfortable using that terminology. It was taboo to talk about class war. Americans are okay talking about it like this everyone wants to be part of the 99%, even the cops are like, No, no, man. I'm part of the 99% too. No one wants to be part of the 1%.
Eric Drooker
I try to, at least once or twice a week, have someone over and model, usually a dancer friend or a poet or someone to come over and just stay still for me. Depending on how exhibitionist they are, it will determine the finished work. And I say, You're the muse you come up with it. I'll draw you however you want.
Eric Drooker
