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Art grabs people by their eyeballs, it seduces them ... art is a means to an end rather than simply an end in itself.
Eric Drooker
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Eric Drooker
Age: 66
Born: 1958
Born: January 1
Comics Artist
Painter
New York City
New York
Rather
Means
Art
Ends
Seduces
Mean
Grabs
People
Eyeballs
Seducing
Simply
More quotes by Eric Drooker
The poster art over the years, art with social critique in it, has always been trying to make that point - that we are larger than they are.
Eric Drooker
The trick is not to look back, but keep on expressing where I'm at now. It's challenging to create something new, so it's crucial to dwell in the present moment.
Eric Drooker
Everyone wants to be part of the 99%, even the cops are like, No, no, man. I'm part of the 99% too. No one wants to be part of the 1%.
Eric Drooker
With what we've been taught is the proper role of art, which is that you want to have it very neatly matted and framed and put on a white wall in some room where only a certain class of people are going to go in.
Eric Drooker
People don't work in factories, [they aren't] big muscular guys. The working class is flabby because they're sitting in front of a computer all day, but it's still their labor being extracted.
Eric Drooker
Artists always live in the cracks anyway, whatever culture they're in. They're usually accustomed to not having much money, to kind of roughing it.
Eric Drooker
The client isn't quite satisfied and then the prostitute is always unsatisfied but is doing it just to make ends meet. And if you're doing fine art, if you're doing it for a gallery or a museum, it's so sterilized. It's such an antiseptic environment.
Eric Drooker
Poster art was always my way of being involved in the conversation. So it wasn't just a one-way conversation with the police yelling at us or freaking us out. Street posters allowed you to have the last word.
Eric Drooker
Art is one of the few ways we have of dealing with things that frighten or anger us.
Eric Drooker
Working people are working even longer hours, even though we won the eight-hour workday at the Haymarket General Strike in Chicago.
Eric Drooker
By the time I was in my early-twenties and was living there on the Lower East Side, I was so surrounded by tragedy that I think that inspired me to try to reflect it in the artwork.
Eric Drooker
We used to call the 1% the ruling class, but America's never felt comfortable using that terminology. It was taboo to talk about class war. Americans are okay talking about it like this everyone wants to be part of the 99%, even the cops are like, No, no, man. I'm part of the 99% too. No one wants to be part of the 1%.
Eric Drooker
The poster art over the years, art with social critique in it, has always been on class war theme. It's been trying to make that point - that we are larger than they are. They may have guns and pepper spray and helicopters and F16s and the whole U.S. military on their side, but when it comes down to it, we still have the numbers.
Eric Drooker
We all know artists who like to collaborate, who like to work as a team. It all kind of depends what your habitual working method is.
Eric Drooker
Infiltrating the mainstream was a natural extension of my street art. I've always tried to communicate ideas to the public as directly as possible.
Eric Drooker
Americans didn't really have any experience with something as basic as community.
Eric Drooker
Doing art that has a happy ending, that doesn't seem really corny, is extremely difficult to pull off convincingly.
Eric Drooker
In the U.S., ironically, people work longer hours in the U.S. than they do in Europe or in any other industrialized country. They seem utterly oblivious to May Day, don't really know what it is - our own history.
Eric Drooker
When I was younger, when I was a teenager, the work was more satirical and funny and cartoony. And part of it was chops - if you have a more limited repertoire of stick figures and cartoon characters, they lend themselves more to humor than to tragedy.
Eric Drooker
As I developed as an artist and studied art history, I noticed that all the great works were dealing with the human condition. [Art] had humor in it. It had sex in it. But it also had sorrow running through it.
Eric Drooker
