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When I was in my early twenties I was doing tenant organizing - rent strikes, specifically - in my building. I think that was how I started doing poster art. It was something very concrete.
Eric Drooker
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Eric Drooker
Age: 66
Born: 1958
Born: January 1
Comics Artist
Painter
New York City
New York
Something
Specifically
Think
Concrete
Thinking
Strikes
Tenant
Twenties
Tenants
Early
Poster
Building
Organizing
Started
Posters
Art
Rent
More quotes by Eric Drooker
Illustrators are usually illustrating something big or commercial if not outright advertising. It's a form of prostitution, but that's cool because we don't have any moral hang-up about it.
Eric Drooker
Whether it's a street poster on a brick wall, a magazine cover on a newsstand, or animation on a movie screen - art is an effective means of communicating with large numbers of people.
Eric Drooker
Street posters allowed you to have the last word. If you put them up in your neighborhood, you were speaking to your neighbor.
Eric Drooker
The poster art over the years, art with social critique in it, has always been on class war theme. It's been trying to make that point - that we are larger than they are. They may have guns and pepper spray and helicopters and F16s and the whole U.S. military on their side, but when it comes down to it, we still have the numbers.
Eric Drooker
Artists always live in the cracks anyway, whatever culture they're in. They're usually accustomed to not having much money, to kind of roughing it.
Eric Drooker
The trick is not to look back, but keep on expressing where I'm at now. It's challenging to create something new, so it's crucial to dwell in the present moment.
Eric Drooker
The poster art over the years, art with social critique in it, has always been trying to make that point - that we are larger than they are.
Eric Drooker
I don't even believe in magic, or ghosts or anything like that, and yet in a city like New York, on the subway, I definitely see ghosts and art seems to have some magical properties.
Eric Drooker
I think for an artist there are so many things to make pictures of now, that everyone else may be suffering, but at least artists will just be stimulated by it all.
Eric Drooker
In the U.S., ironically, people work longer hours in the U.S. than they do in Europe or in any other industrialized country. They seem utterly oblivious to May Day, don't really know what it is - our own history.
Eric Drooker
Americans didn't really have any experience with something as basic as community.
Eric Drooker
Working people are working even longer hours, even though we won the eight-hour workday at the Haymarket General Strike in Chicago.
Eric Drooker
We used to call the 1% the ruling class, but America's never felt comfortable using that terminology. It was taboo to talk about class war. Americans are okay talking about it like this everyone wants to be part of the 99%, even the cops are like, No, no, man. I'm part of the 99% too. No one wants to be part of the 1%.
Eric Drooker
If I do a picture, I want the audience to be the people I was just packed against on the subway or on the street, walking on Fourteenth Street. I don't want it to be some narrow public that I myself feel alienated from.
Eric Drooker
The client isn't quite satisfied and then the prostitute is always unsatisfied but is doing it just to make ends meet. And if you're doing fine art, if you're doing it for a gallery or a museum, it's so sterilized. It's such an antiseptic environment.
Eric Drooker
The art was just a way of hooking people in, saying: Hey, maybe there's something cool about the tenant meeting. If the picture's really cool and weird, maybe I should check this out. And I think all of my art has really developed out of that realization.
Eric Drooker
Art grabs people by their eyeballs, it seduces them ... art is a means to an end rather than simply an end in itself.
Eric Drooker
As I developed as an artist and studied art history, I noticed that all the great works were dealing with the human condition. [Art] had humor in it. It had sex in it. But it also had sorrow running through it.
Eric Drooker
I try to, at least once or twice a week, have someone over and model, usually a dancer friend or a poet or someone to come over and just stay still for me. Depending on how exhibitionist they are, it will determine the finished work. And I say, You're the muse you come up with it. I'll draw you however you want.
Eric Drooker
We all know artists who like to collaborate, who like to work as a team. It all kind of depends what your habitual working method is.
Eric Drooker
