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I never really think much about the size of a production because I think as an actor, once you're in it, it's all the same. I never ever pick projects based on their size.

Eric Bana

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Eric Bana
Age: 56
Born: 1968
Born: August 9
Actor
Comedian
Film Actor
Film Director
Film Producer
Racing Automobile Driver
Screenwriter
Television Actor
Voice Actor
Melbourne
Australia
Eric Banadinović
Actor
Actors
Production
Ever
Productions
Much
Pick
Really
Picks
Never
Size
Think
Projects
Thinking
Based

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I've always described parts as tattoos. For actors our tattoos are in the form of films.
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Each time you go to the same track you know whether you're improving or whether you're not... it's not open to interpretation. It's measurable - unlike acting.
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If a great comedy landed on my doorstep, I would find it hard to say no.
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I've had frustrated storytelling juices that have been lying dormant for a long time, and I guess the documentary was a way of me telling a story that I felt most qualified to tell. And I loved it, and I'd love to do something else someday, probably more narrative-based. But I'm in no rush.
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I love being at home, being with friends and family. I'm of European stock, brought up in Australia. I'm a passionate guy. I just love life.
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The thing I love about working with first-time directors is that it's always quite shocking how little difference there is between them and directors who've been directing all their lives.
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When I go on the plane to fly home, I'm literally capable of forgetting what I do for a job. That also comes about because I choose to take massive breaks between projects, and because I choose to do this ridiculous thing of keeping home, home.
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I enjoy just being cocooned in production and it's completely different to your other life that you have. I enjoy that. I enjoy being on the set and hanging out and talking to whoever we're working with and just being in the moment.
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It's always been my hope, as an actor, to reveal only what is relevant about myself to the work.
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If you're lucky enough to be involved in a film that's about something very real and that you hope will continue to hold up in 20 years' time it just gives you more energy and makes it feel all the more worthwhile.
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I was a fan of the television show as a kid but I wouldn't say that I've followed all the movies or anything like that. But I was a television junkie as a kid.
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The longer you have something, the stronger the bond. That's true with people as well as things.
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I think you need to be able to see a lot of negative in things in order to extract material, so there's probably something to that. A lot of the people I used to work with were very, very, very unfunny offstage, so that's a pretty common thing.
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I look my best when I take my helmet off after a long motorcycle ride. I have a glow and a bit of helmet hair.
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As an actor I've been attracted to the sort of films that I want to go and see. That tends to usually be drama-related.
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There's a plethora of wonderful documentaries. I made a point of not looking at anyone else's portrayal of Henry because I think it would have been too confusing - so I've got a lot of films to look forward to.
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Without a doubt, rowing is the hardest thing you can attempt to learn in a short period of time.
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I just think that's the job of an actor. I guess that's the variation that you're talking about. It's probably a byproduct of just constantly looking for something different, because that's what I feel like I'm supposed to do.
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It's always bitterly disappointing to people to see how normally one can live.
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I'm not into bikinis or other revealing clothing.
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