The most important thing for me is the tone, the feeling, the pace. But why I'm doing this is not very clear to me. It's much more of an instinctual thing than an analytical process.

Everything you do with Palestinians in Israel someone will criticize.

I'm a complete control freak. We worked a lot on the pace and where to put the silences. We choreographed the gestures and movements. We had a lot of rehearsals and a lot of takes. Also, there's something special that comes out of those two actors: he's water and she's fire.