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I've certainly seen stats that if you have a woman director or a woman screenwriter, the number of female characters goes way up.

Emma Donoghue

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Emma Donoghue
Age: 55
Born: 1969
Born: October 24
Literary Historian
Novelist
Playwright
Screenwriter
Writer
Dublin city
Character
Female
Way
Characters
Certainly
Number
Goes
Numbers
Stats
Seen
Director
Woman
Directors

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I guess the feminism in Room springs to mind most.
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I remember manners, that's when people are scared to make other persons mad.
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When I tell her what I’m thinking and she tells me what she’s thinking, our each ideas jumping into the other’s head, like coulouring blue crayon on top of yellow that makes green.
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I tend to be so lost in the work that I don't notice the weather. My partner will come home and say, 'Beautiful day, wasn't it?' and I'll say, 'Was it?' as I won't have noticed the real world at all.
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I thought one way to try to hold on to the power was to write the script myself. That way, I could say to filmmakers, I'm not asking you to hire me unseen. I'm just saying, 'Here's my script. Can we work together?' So that worked out well.
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I'm named after Jane Austen's Emma, and I've always been able to relate to her. She's strong, confident but quite tactless.
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I hate desks they make me feel like a child doing homework.
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Writing is nearly always a matter of finding whatever your brain needs to trick it into being creative, and in my case, a tiny little bit of fact just seems to work.
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Writing stories is my way of scratching that itch: my escape from the claustrophobia of individuality. It lets me, at least for a while, live more than one life, walk more than one path. Reading, of course, can do the same.
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I got in the habit of giving away a book as soon as I've finished it because I lived in a housing co-op at Cambridge and had no space to keep books.
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...real loneliness is having no one to miss. Think yourself lucky you've known something worth missing.
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I think I read Susan Brownmiller's classic book called Femininity when I was about 16. So yeah, it's been part of my mindset since a very early age. To me, what's crucial is to tell women's stories but also to tell them in a way that is fearless.
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I must say, in the case of Room, both the book and the film, I don't think being a lesbian author held me back at all.
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I'm finding that success is way more time-consuming than failure ever was.
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For all that being a parent is normal statistically, it's not normal psychologically. It produces some of the most extreme emotions you'll ever have...
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Kissing a witch is a perilous business. Everybody knows it's ten times as dangerous as letting her touch your hand, or cut your hair, or steal your shoes. What simpler way is there than a kiss to give power a way into your heart?
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I was anticipating that some readers might misread [the book] ROOM itself as a hymn to homeschooling.
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When I was a little kid I thought like a little kid, but now I'm five I know everything
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I was highly aware, in writing [the book] ROOM, that there are unsavoury aspects to our interest in such cases, and I thought it was rather honester to include discussion of media representation in the novel itself than to cling to the high moral ground by merely avoiding scenes of voyeurism, for instance.
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Writers should be applauded for their ability to make things up.
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