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I've certainly seen stats that if you have a woman director or a woman screenwriter, the number of female characters goes way up.

Emma Donoghue

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Emma Donoghue
Age: 55
Born: 1969
Born: October 24
Literary Historian
Novelist
Playwright
Screenwriter
Writer
Dublin city
Certainly
Number
Goes
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Director
Woman
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Female
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Characters

More quotes by Emma Donoghue

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Some writers can produce marvelous plots without planning it out, but I can't. In particular I need to know the structure of a novel: what's going to happen in each chapter and each scene.
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I found motherhood a crash course in existentialism (what is my purpose in life, am I mistress or slave of my destiny, when the hell do I get some sleep?) and [the book] ROOM was the result.
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Everybody's damaged by something.
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We used to call it her Cinderella complex, because often when she had agreed to go out in the evening she would be seized by panic and announce that she had nothing to wear.
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I think ultimately the film 'Room' is a kind of hymn to motherhood and to the everyday heroism of parents who find their smiles in terrible times.
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I tend to be so lost in the work that I don't notice the weather. My partner will come home and say, 'Beautiful day, wasn't it?' and I'll say, 'Was it?' as I won't have noticed the real world at all.
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I'm finding that success is way more time-consuming than failure ever was.
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Stories are a different kind of true.
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Seriously, I think what all the puzzling over parenthood I had to do to write [a novel] ROOM taught me is that children can thrive in a remarkable range of situations.
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I watch his hands, they're lumpy but clever. Is there a word for adults when they aren't parents? Steppa laughs. Folks with other things to do?
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I always wince a little bit when I send me to each of my new books. I wince at submitting myself to my father's judgment. But, of course, he's such a fond father that he always writes back, saying it's the greatest thing ever written.
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The sound of the pages turning was the sound of magic. The dry liquid feel of paper under fingertips was what magic felt like.
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...sentences swallowed and sung back and swallowed all over again. She was made entirely out of words.
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I guess the feminism in Room springs to mind most.
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This is a bad story.” “Sorry. I’m really sorry. I shouldn’t have told you.” “No, you should,” I say. “But—” “I don’t want there to be bad stories and me not know them.
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Goodbye, Room. I wave up at Skylight. Say goodbye, I tell Ma. Goodbye, Room. Ma says it but on mute. I look back one more time. It's like a crater, a hole where something happened. Then we go out the door.
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She leaped into space, high, higher than she'd ever been in her life. She came down with a clean snap, and the crowd scattered like birds from the swing of her feet.
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So much as I enjoy big novels of epic sweep, I often find, say, if they follow several generations, by the third generation, I'm not caring about the people anymore.
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Everyone's got a different story.
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For all that being a parent is normal statistically, it's not normal psychologically. It produces some of the most extreme emotions you'll ever have...
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