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The paradox of publicity is that even as we do it, we know it's killing off the chance of another reader happening across our book in the ideal state of innocence.

Emma Donoghue

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Emma Donoghue
Age: 55
Born: 1969
Born: October 24
Literary Historian
Novelist
Playwright
Screenwriter
Writer
Dublin city
State
Innocence
Chance
Ideal
Another
Happenings
States
Happening
Book
Ideals
Even
Killing
Across
Publicity
Reader
Paradox

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I always wince a little bit when I send me to each of my new books. I wince at submitting myself to my father's judgment. But, of course, he's such a fond father that he always writes back, saying it's the greatest thing ever written.
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And as the years flowed by, some villagers told travelers of a beast and a beauty who lived in the castle and could be seen walking on the battlements, and others told of two beauties, and others, of two beasts.
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Some writers can produce marvelous plots without planning it out, but I can't. In particular I need to know the structure of a novel: what's going to happen in each chapter and each scene.
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...Sometimes I suspect that what had really happened was that we became more resigned, more cynical, raised our pain thresholds as we lowered our expectations. All in all, settled for less.
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Identity politics are wearisome you don't want to go on speaking for any one group as a writer.
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There may be certain genres that men dominate, but fiction not so much. The question of prizes is tricky because there are so many prizes.
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She leaped into space, high, higher than she'd ever been in her life. She came down with a clean snap, and the crowd scattered like birds from the swing of her feet.
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For all the books in his possession, he still failed to read the stories written plain as day in the faces of the people around him.
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...sentences swallowed and sung back and swallowed all over again. She was made entirely out of words.
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I'm really not one of these procrastinators who cleans the house in order to put off writing, but life gets in the way.
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I must say, in the case of Room, both the book and the film, I don't think being a lesbian author held me back at all.
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I'm named after Jane Austen's Emma, and I've always been able to relate to her. She's strong, confident but quite tactless.
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Writing is nearly always a matter of finding whatever your brain needs to trick it into being creative, and in my case, a tiny little bit of fact just seems to work.
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When people write to me with stories, they are never ones that work for me. There's something mysterious about which ones catch you.
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Nowadays, 'invisibility' was supposed to be the big problem, but the way I saw it was, all that mattered was to be visible to yourself.
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I guess the feminism in Room springs to mind most.
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I was anticipating that some readers might misread [the book] ROOM itself as a hymn to homeschooling.
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I'm finding that success is way more time-consuming than failure ever was.
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