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I'm really not one of these procrastinators who cleans the house in order to put off writing, but life gets in the way.

Emma Donoghue

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Emma Donoghue
Age: 54
Born: 1969
Born: October 24
Literary Historian
Novelist
Playwright
Screenwriter
Writer
Dublin city
Gets
House
Order
Writing
Really
Way
Procrastinators
Life
Procrastinator
Cleans

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I hate desks they make me feel like a child doing homework.
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I am clumsy, a late and nervous driver, and despise all sports except a little gentle dancing or yoga.
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I always wince a little bit when I send me to each of my new books. I wince at submitting myself to my father's judgment. But, of course, he's such a fond father that he always writes back, saying it's the greatest thing ever written.
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When I tell her what I’m thinking and she tells me what she’s thinking, our each ideas jumping into the other’s head, like coulouring blue crayon on top of yellow that makes green.
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Writers should be applauded for their ability to make things up.
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For all the books in his possession, he still failed to read the stories written plain as day in the faces of the people around him.
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I think I know what it's like to have a family that the outside world sees as peculiar or lacking.
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I've been in a long and happy relationship for 22 years and it's never inspired me to write anything. It's too good - nothing to say. Problems, conflict, that's what makes for good stories.
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Stories are a different kind of true.
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I've certainly seen stats that if you have a woman director or a woman screenwriter, the number of female characters goes way up.
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Something we do know is that review coverage does go to male authors more than women authors. That's a fact. I think it's one of those examples of unconscious bias: If you hire a lot of male journalists, they're more likely to pick up the latest Ian McEwan novel than the latest A.S. Byatt novel.
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The sound of the pages turning was the sound of magic. The dry liquid feel of paper under fingertips was what magic felt like.
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...Sometimes I suspect that what had really happened was that we became more resigned, more cynical, raised our pain thresholds as we lowered our expectations. All in all, settled for less.
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Kissing a witch is a perilous business. Everybody knows it's ten times as dangerous as letting her touch your hand, or cut your hair, or steal your shoes. What simpler way is there than a kiss to give power a way into your heart?
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I thought one way to try to hold on to the power was to write the script myself. That way, I could say to filmmakers, I'm not asking you to hire me unseen. I'm just saying, 'Here's my script. Can we work together?' So that worked out well.
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I was highly aware, in writing [the book] ROOM, that there are unsavoury aspects to our interest in such cases, and I thought it was rather honester to include discussion of media representation in the novel itself than to cling to the high moral ground by merely avoiding scenes of voyeurism, for instance.
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There are some tales not for telling, whether because they are too long, too precious, too laughable, too painful, too easy to need telling or too hard to explain. After all, after years and travels my secrets are all I have left to chew on in the night.
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You know who you belong to Jack? - Yeah. Yourself. - He's wrong, actually, I belong to Ma. p. 261 Room by E Donoghue
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Sometimes you must shed your skin to save it.
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I guess the feminism in Room springs to mind most.
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