Quote

She leaped into space, high, higher than she'd ever been in her life. She came down with a clean snap, and the crowd scattered like birds from the swing of her feet.

Emma Donoghue

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Emma Donoghue
Age: 55
Born: 1969
Born: October 24
Literary Historian
Novelist
Playwright
Screenwriter
Writer
Dublin city
Came
Swings
High
Crowd
Space
Birds
Leaped
Ever
Crowds
Snap
Life
Bird
Scattered
Like
Clean
Snaps
Higher
Feet
Swing

More quotes by Emma Donoghue

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The paradox of publicity is that even as we do it, we know it's killing off the chance of another reader happening across our book in the ideal state of innocence.
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I guess the feminism in Room springs to mind most.
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I always wince a little bit when I send me to each of my new books. I wince at submitting myself to my father's judgment. But, of course, he's such a fond father that he always writes back, saying it's the greatest thing ever written.
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You cannot predict literary success the only way you can possibly aim for it is to do your thing and do it well.
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Maybe I’m a human, but I’m a me-and-Ma as well.
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I'm really aware that in fiction, women are pretty much equal. There's a lot of very successful women novelists. Not so much [for women writers working] in film.
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I've certainly seen stats that if you have a woman director or a woman screenwriter, the number of female characters goes way up.
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So much as I enjoy big novels of epic sweep, I often find, say, if they follow several generations, by the third generation, I'm not caring about the people anymore.
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You're meant to have an unhappy childhood to be a writer, but there's a lot to be said for a very happy one that just let's you get on with it.
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And as the years flowed by, some villagers told travelers of a beast and a beauty who lived in the castle and could be seen walking on the battlements, and others told of two beauties, and others, of two beasts.
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Nowadays, 'invisibility' was supposed to be the big problem, but the way I saw it was, all that mattered was to be visible to yourself.
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I was highly aware, in writing [the book] ROOM, that there are unsavoury aspects to our interest in such cases, and I thought it was rather honester to include discussion of media representation in the novel itself than to cling to the high moral ground by merely avoiding scenes of voyeurism, for instance.
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For all that being a parent is normal statistically, it's not normal psychologically. It produces some of the most extreme emotions you'll ever have...
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We used to call it her Cinderella complex, because often when she had agreed to go out in the evening she would be seized by panic and announce that she had nothing to wear.
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When I tell her what I’m thinking and she tells me what she’s thinking, our each ideas jumping into the other’s head, like coulouring blue crayon on top of yellow that makes green.
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At the door, there was one of those moment when two people realize that they like each other more than they know each other. This is nicer than the opposite situation, but more awkward. You try to remember the protocol for touching. You hate to gush, or presume to much, yet you are unwilling to let the moment pass without without some gesture
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Writing stories is my way of scratching that itch: my escape from the claustrophobia of individuality. It lets me, at least for a while, live more than one life, walk more than one path. Reading, of course, can do the same.
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Some writers can produce marvelous plots without planning it out, but I can't. In particular I need to know the structure of a novel: what's going to happen in each chapter and each scene.
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...sentences swallowed and sung back and swallowed all over again. She was made entirely out of words.
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I think I know what it's like to have a family that the outside world sees as peculiar or lacking.
Emma Donoghue