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Nowadays, 'invisibility' was supposed to be the big problem, but the way I saw it was, all that mattered was to be visible to yourself.

Emma Donoghue

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Emma Donoghue
Age: 55
Born: 1969
Born: October 24
Literary Historian
Novelist
Playwright
Screenwriter
Writer
Dublin city
Nowadays
Visible
Supposed
Saws
Bigs
Problem
Way
Invisibility
Mattered

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I'm named after Jane Austen's Emma, and I've always been able to relate to her. She's strong, confident but quite tactless.
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I tend to be so lost in the work that I don't notice the weather. My partner will come home and say, 'Beautiful day, wasn't it?' and I'll say, 'Was it?' as I won't have noticed the real world at all.
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When I was a little kid I thought like a little kid, but now I'm five I know everything
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I was highly aware, in writing [the book] ROOM, that there are unsavoury aspects to our interest in such cases, and I thought it was rather honester to include discussion of media representation in the novel itself than to cling to the high moral ground by merely avoiding scenes of voyeurism, for instance.
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Something we do know is that review coverage does go to male authors more than women authors. That's a fact. I think it's one of those examples of unconscious bias: If you hire a lot of male journalists, they're more likely to pick up the latest Ian McEwan novel than the latest A.S. Byatt novel.
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...Sometimes I suspect that what had really happened was that we became more resigned, more cynical, raised our pain thresholds as we lowered our expectations. All in all, settled for less.
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When I tell her what I’m thinking and she tells me what she’s thinking, our each ideas jumping into the other’s head, like coulouring blue crayon on top of yellow that makes green.
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I read three books a week.
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I think I read Susan Brownmiller's classic book called Femininity when I was about 16. So yeah, it's been part of my mindset since a very early age. To me, what's crucial is to tell women's stories but also to tell them in a way that is fearless.
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Maybe I’m a human, but I’m a me-and-Ma as well.
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The way to my heart is through Belgian milk chocolate.
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There are some tales not for telling, whether because they are too long, too precious, too laughable, too painful, too easy to need telling or too hard to explain. After all, after years and travels my secrets are all I have left to chew on in the night.
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I've been in a long and happy relationship for 22 years and it's never inspired me to write anything. It's too good - nothing to say. Problems, conflict, that's what makes for good stories.
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I guess the feminism in Room springs to mind most.
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She leaped into space, high, higher than she'd ever been in her life. She came down with a clean snap, and the crowd scattered like birds from the swing of her feet.
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You're meant to have an unhappy childhood to be a writer, but there's a lot to be said for a very happy one that just let's you get on with it.
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We used to call it her Cinderella complex, because often when she had agreed to go out in the evening she would be seized by panic and announce that she had nothing to wear.
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I'm really not one of these procrastinators who cleans the house in order to put off writing, but life gets in the way.
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I am clumsy, a late and nervous driver, and despise all sports except a little gentle dancing or yoga.
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Scared is what you're feeling. Brave is what you're doing.
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