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Nowadays, 'invisibility' was supposed to be the big problem, but the way I saw it was, all that mattered was to be visible to yourself.

Emma Donoghue

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Emma Donoghue
Age: 55
Born: 1969
Born: October 24
Literary Historian
Novelist
Playwright
Screenwriter
Writer
Dublin city
Nowadays
Visible
Supposed
Saws
Bigs
Problem
Way
Invisibility
Mattered

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There may be certain genres that men dominate, but fiction not so much. The question of prizes is tricky because there are so many prizes.
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This is a bad story.” “Sorry. I’m really sorry. I shouldn’t have told you.” “No, you should,” I say. “But—” “I don’t want there to be bad stories and me not know them.
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I read three books a week.
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I think ultimately the film 'Room' is a kind of hymn to motherhood and to the everyday heroism of parents who find their smiles in terrible times.
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I've been in a long and happy relationship for 22 years and it's never inspired me to write anything. It's too good - nothing to say. Problems, conflict, that's what makes for good stories.
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The sound of the pages turning was the sound of magic. The dry liquid feel of paper under fingertips was what magic felt like.
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When I was a little kid I thought like a little kid, but now I'm five I know everything
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I think I read Susan Brownmiller's classic book called Femininity when I was about 16. So yeah, it's been part of my mindset since a very early age. To me, what's crucial is to tell women's stories but also to tell them in a way that is fearless.
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Something we do know is that review coverage does go to male authors more than women authors. That's a fact. I think it's one of those examples of unconscious bias: If you hire a lot of male journalists, they're more likely to pick up the latest Ian McEwan novel than the latest A.S. Byatt novel.
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I must say, in the case of Room, both the book and the film, I don't think being a lesbian author held me back at all.
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When I tell her what I’m thinking and she tells me what she’s thinking, our each ideas jumping into the other’s head, like coulouring blue crayon on top of yellow that makes green.
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A memoir is always the most authentic telling of a situation, but a novel gets to different places.
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We used to call it her Cinderella complex, because often when she had agreed to go out in the evening she would be seized by panic and announce that she had nothing to wear.
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Goodbye, Room. I wave up at Skylight. Say goodbye, I tell Ma. Goodbye, Room. Ma says it but on mute. I look back one more time. It's like a crater, a hole where something happened. Then we go out the door.
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Change for your own sake, if you must, not for what you imagine another will ask of you.
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Maybe I’m a human, but I’m a me-and-Ma as well.
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So much as I enjoy big novels of epic sweep, I often find, say, if they follow several generations, by the third generation, I'm not caring about the people anymore.
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I guess the feminism in Room springs to mind most.
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You're meant to have an unhappy childhood to be a writer, but there's a lot to be said for a very happy one that just let's you get on with it.
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Writing is nearly always a matter of finding whatever your brain needs to trick it into being creative, and in my case, a tiny little bit of fact just seems to work.
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