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You know who you belong to Jack? - Yeah. Yourself. - He's wrong, actually, I belong to Ma. p. 261 Room by E Donoghue

Emma Donoghue

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Emma Donoghue
Age: 55
Born: 1969
Born: October 24
Literary Historian
Novelist
Playwright
Screenwriter
Writer
Dublin city
Rooms
Wrong
Actually
Jack
Belong
Yeah
Room

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The way to my heart is through Belgian milk chocolate.
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Change for your own sake, if you must, not for what you imagine another will ask of you.
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So much as I enjoy big novels of epic sweep, I often find, say, if they follow several generations, by the third generation, I'm not caring about the people anymore.
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Scared is what you're feeling. Brave is what you're doing.
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I'm finding that success is way more time-consuming than failure ever was.
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For all that being a parent is normal statistically, it's not normal psychologically. It produces some of the most extreme emotions you'll ever have...
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With my first book, I was hired to write a draft of the script. I was so young and less confident. They put me through seven or eight drafts and it was just getting worse and worse, and then the film was never made.
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When I tell her what I’m thinking and she tells me what she’s thinking, our each ideas jumping into the other’s head, like coulouring blue crayon on top of yellow that makes green.
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People move around so much in the world, things get lost.
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I watch his hands, they're lumpy but clever. Is there a word for adults when they aren't parents? Steppa laughs. Folks with other things to do?
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I've been in a long and happy relationship for 22 years and it's never inspired me to write anything. It's too good - nothing to say. Problems, conflict, that's what makes for good stories.
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I remember manners, that's when people are scared to make other persons mad.
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I tend to be so lost in the work that I don't notice the weather. My partner will come home and say, 'Beautiful day, wasn't it?' and I'll say, 'Was it?' as I won't have noticed the real world at all.
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This is a bad story.” “Sorry. I’m really sorry. I shouldn’t have told you.” “No, you should,” I say. “But—” “I don’t want there to be bad stories and me not know them.
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The sound of the pages turning was the sound of magic. The dry liquid feel of paper under fingertips was what magic felt like.
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At the door, there was one of those moment when two people realize that they like each other more than they know each other. This is nicer than the opposite situation, but more awkward. You try to remember the protocol for touching. You hate to gush, or presume to much, yet you are unwilling to let the moment pass without without some gesture
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Everyone's got a different story.
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When people write to me with stories, they are never ones that work for me. There's something mysterious about which ones catch you.
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Something we do know is that review coverage does go to male authors more than women authors. That's a fact. I think it's one of those examples of unconscious bias: If you hire a lot of male journalists, they're more likely to pick up the latest Ian McEwan novel than the latest A.S. Byatt novel.
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