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You know who you belong to Jack? - Yeah. Yourself. - He's wrong, actually, I belong to Ma. p. 261 Room by E Donoghue

Emma Donoghue

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Emma Donoghue
Age: 55
Born: 1969
Born: October 24
Literary Historian
Novelist
Playwright
Screenwriter
Writer
Dublin city
Wrong
Actually
Jack
Belong
Yeah
Room
Rooms

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At the door, there was one of those moment when two people realize that they like each other more than they know each other. This is nicer than the opposite situation, but more awkward. You try to remember the protocol for touching. You hate to gush, or presume to much, yet you are unwilling to let the moment pass without without some gesture
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People move around so much in the world, things get lost.
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For all that being a parent is normal statistically, it's not normal psychologically. It produces some of the most extreme emotions you'll ever have...
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I read three books a week.
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When I tell her what I’m thinking and she tells me what she’s thinking, our each ideas jumping into the other’s head, like coulouring blue crayon on top of yellow that makes green.
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I think I read Susan Brownmiller's classic book called Femininity when I was about 16. So yeah, it's been part of my mindset since a very early age. To me, what's crucial is to tell women's stories but also to tell them in a way that is fearless.
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I remember manners, that's when people are scared to make other persons mad.
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I was anticipating that some readers might misread [the book] ROOM itself as a hymn to homeschooling.
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There may be certain genres that men dominate, but fiction not so much. The question of prizes is tricky because there are so many prizes.
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Nowadays, 'invisibility' was supposed to be the big problem, but the way I saw it was, all that mattered was to be visible to yourself.
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...sentences swallowed and sung back and swallowed all over again. She was made entirely out of words.
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Maybe I’m a human, but I’m a me-and-Ma as well.
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So much as I enjoy big novels of epic sweep, I often find, say, if they follow several generations, by the third generation, I'm not caring about the people anymore.
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I'm named after Jane Austen's Emma, and I've always been able to relate to her. She's strong, confident but quite tactless.
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I think I know what it's like to have a family that the outside world sees as peculiar or lacking.
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I always wince a little bit when I send me to each of my new books. I wince at submitting myself to my father's judgment. But, of course, he's such a fond father that he always writes back, saying it's the greatest thing ever written.
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I found motherhood a crash course in existentialism (what is my purpose in life, am I mistress or slave of my destiny, when the hell do I get some sleep?) and [the book] ROOM was the result.
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...Sometimes I suspect that what had really happened was that we became more resigned, more cynical, raised our pain thresholds as we lowered our expectations. All in all, settled for less.
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With my first book, I was hired to write a draft of the script. I was so young and less confident. They put me through seven or eight drafts and it was just getting worse and worse, and then the film was never made.
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I tend to be so lost in the work that I don't notice the weather. My partner will come home and say, 'Beautiful day, wasn't it?' and I'll say, 'Was it?' as I won't have noticed the real world at all.
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