Quote

Goodbye, Room. I wave up at Skylight. Say goodbye, I tell Ma. Goodbye, Room. Ma says it but on mute. I look back one more time. It's like a crater, a hole where something happened. Then we go out the door.

Emma Donoghue

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Emma Donoghue
Age: 55
Born: 1969
Born: October 24
Literary Historian
Novelist
Playwright
Screenwriter
Writer
Dublin city
Happened
Hole
Tell
Holes
Back
Wave
Look
Door
Skylights
Looks
Doors
Crater
Something
Room
Craters
Time
Rooms
Mute
Like
Says
Goodbye

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Change for your own sake, if you must, not for what you imagine another will ask of you.
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Writing is nearly always a matter of finding whatever your brain needs to trick it into being creative, and in my case, a tiny little bit of fact just seems to work.
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We used to call it her Cinderella complex, because often when she had agreed to go out in the evening she would be seized by panic and announce that she had nothing to wear.
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...Sometimes I suspect that what had really happened was that we became more resigned, more cynical, raised our pain thresholds as we lowered our expectations. All in all, settled for less.
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...real loneliness is having no one to miss. Think yourself lucky you've known something worth missing.
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Writing stories is my way of scratching that itch: my escape from the claustrophobia of individuality. It lets me, at least for a while, live more than one life, walk more than one path. Reading, of course, can do the same.
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I'm named after Jane Austen's Emma, and I've always been able to relate to her. She's strong, confident but quite tactless.
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I think I read Susan Brownmiller's classic book called Femininity when I was about 16. So yeah, it's been part of my mindset since a very early age. To me, what's crucial is to tell women's stories but also to tell them in a way that is fearless.
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I tend to be so lost in the work that I don't notice the weather. My partner will come home and say, 'Beautiful day, wasn't it?' and I'll say, 'Was it?' as I won't have noticed the real world at all.
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The sound of the pages turning was the sound of magic. The dry liquid feel of paper under fingertips was what magic felt like.
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Seriously, I think what all the puzzling over parenthood I had to do to write [a novel] ROOM taught me is that children can thrive in a remarkable range of situations.
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I've certainly seen stats that if you have a woman director or a woman screenwriter, the number of female characters goes way up.
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Everybody's damaged by something.
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This is a bad story.” “Sorry. I’m really sorry. I shouldn’t have told you.” “No, you should,” I say. “But—” “I don’t want there to be bad stories and me not know them.
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I'm really aware that in fiction, women are pretty much equal. There's a lot of very successful women novelists. Not so much [for women writers working] in film.
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Identity politics are wearisome you don't want to go on speaking for any one group as a writer.
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For all that being a parent is normal statistically, it's not normal psychologically. It produces some of the most extreme emotions you'll ever have...
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The way to my heart is through Belgian milk chocolate.
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I'm really not one of these procrastinators who cleans the house in order to put off writing, but life gets in the way.
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I watch his hands, they're lumpy but clever. Is there a word for adults when they aren't parents? Steppa laughs. Folks with other things to do?
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