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I've only half-admitted I'm a professional. I know I am, I've paid my dues, but one of the things I could do better when I'm acting is to really be rigorous and to think I know how to do it. To use my brain.

Emily Mortimer

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Emily Mortimer
Age: 52
Born: 1971
Born: December 1
Actor
Actress
Film Actor
Film Producer
Journalist
Screenwriter
Stage Actor
Television Actor
Television Director
Finsbury Park
London
Emily Kathleen Anne Mortimer
Half
Use
Rigorous
Better
Admitted
Really
Dues
Things
Professional
Think
Paid
Thinking
Brain
Acting

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I decided to give acting a serious, committed try, and soon after, I read the script for 'Lovely and Amazing.' The story was beautiful and honest, and the characters struggled with the same insecurities many women - including me - face. I didn't think I had a chance in hell of being in the film, but I knew I had to go for it.
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There's a whole world of bad TV that's along similar themes - the cop drama.
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Accents are very tangible, blessedly, and if you have to do one, it's a way of getting into character. I can read it through a few times and pretend I know what I'm doing!
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My dad had this philosophy that if you tell children they're beautiful and wonderful then they believe it, and they will be. So I never thought I was unattractive. But I was never one of the girls at school who had lots of boyfriends.
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It is brilliant going to the theatre and being forced to sit and listen and think about life. It can be almost a near-religious experience.
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I was terribly shy when I was growing up, I really wasn't confident with other people and I think I was always afraid of up or not being this very cool, amazing person that I wanted to be.
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If there's any plan or scheme on my part, it's subconscious. Whatever I do tends to be very different from the thing I did last. You're terrified of boring either yourself or anyone else. It's always attractive if it feels like something that you haven't done before. I generally tend to be better, I think, when I'm terrified out of my wits.
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I must have been a really pretentious little girl.
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I guess secrets are part of the fabric of everybody's lives. I mean everybody's lives, and guilt is part of the fabric of everybody's lives.
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I wake up early. At 6:30 A.M., I'm at my most optimistic.
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I did my homework and didn't go out much, and had a very highly developed kitsch fantasy life where I dreamed of being a dancing girl.
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There's something helpful about the fast pace of a TV set where everything has to be finished by the end of the week. You have to finish the episode it doesn't matter how long you have to go on Friday night, but you have to get it done.
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In my first few years as an actor, I took one terrible TV job after another. But even as I laughed off my awful roles and made fun of myself to friends, my work made me cringe - I dreaded anyone's seeing it. I was crushed that I wasn't doing anything I was proud of.
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The harder the circumstances under which you're making a movie, generally the better the friends you make. You're far away from home and so you're kind of lonely, and you end up all gravitating towards each other and the bar every night. It tends to be inversely proportionate to the comfort level on the movie, how close you become to everybody.
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I am a good mother and I feel proud about it.
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'Leonie' did get made and it was an extremely wonderful experience. I got to travel the world. I filmed for 6 months - 3 months in New Orleans and 3 months in Japan.
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I'm an optimist by nature, myself, I think.
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Los Angeles is like a beauty parlor at the end of the universe.
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I already feel a bit annoyed at myself for writing screenplays. It's a bit, I don't know, model-singer-dancer-actress that went to a posh school. There's something too weirdly predictable about it.
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I borrowed my friends car the other day in an attempt to persuade my husband that we needed a car and literally this is true, in the first day of borrowing the car, I got three tickets and I rear-ended it.
Emily Mortimer