Quote

The foolish square calves pretend to be frightened of our train. Bluffers! Haven't they seen it every day since they were born? It's just an excuse to shake the joy out of their heels.

Emily Carr

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Emily Carr
Age: 73 †
Born: 1871
Born: December 13
Died: 1945
Died: March 2
Artist
Autobiographer
Painter
Writer
M. Emily Carr
Emily M. Carr
Klee Wyck
Joy
Shakes
Seen
Frightened
Pretend
Since
Foolish
Calves
Born
Excuse
Square
Every
Train
Squares
Havens
Shake
Haven
Heels

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So still were the big woods where I sat, sound might not yet have been born.
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The spirit must be felt so intensely that it has power to call others in passing, for it must pass, not stop in the pictures.
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There is a side of friendship that develops better and stronger by correspondence than contact.... The absence of the flesh in writing perhaps brings souls nearer.
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Oh I do want that thing, that oneness of movement that will catch the thing up into one movement and sing - harmony of life.
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What do I want to express? The subject means little. The arrangement, the design, colour, shape, depth, light, space, mood, movement, balance, not one or all of these fills the bill. There is something additional, a breath that draws your breath into its breathing, a heartbeat that pounds on yours, a recognition of the oneness of all things.
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It's all the unwordable things one wants to write about, just as it's all the unformable things one wants to paint - essence.
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Rentals sank, living rose. I could not afford help. I must be owner, agent, landlady and janitor. I loathed landladying... I tried in every way to augment my income. Small fruit, hens, rabbits, dogs - pottery... I never painted now - had neither time nor wanting. For about fifteen years I did not paint.
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Inspiration is intention obeyed.
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Trying to find equivalents for things in words helps me find equivalents in painting.
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The house begins to be a home. The unfamiliar places are beginning to fold the familiar objects into their keeping and to cozy them down. Objects that swore at each other when the movers heaved them into the new rooms have subsided into corners and sit to lick their feet and wash their faces like cats accepting a new home.
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There is no right and wrong way to paint except honestly or dishonestly. Honestly is trying for the bigger thing. Dishonestly is bluffing and getting through a smattering of surface representation with no meaning.
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If you're going to lick the icing off somebody else's cake you won't be nourished and it won't do you any good,--or you might find the cake had caraway seeds and you hate them.
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Indian Art broadened my seeing, loosened the formal tightness I had learned in England's schools. Its bigness and stark reality baffled my white man's understanding... I had been schooled to see outsides only, not struggle to pierce.
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Do not try to do extraordinary things but do ordinary things with intensity.
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Oh, Spring! I want to go out and feel you and get inspiration. My old things seem dead. I want fresh contacts, more vital searching.
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Perfectly ordered disorder designed with a helter-skelter magnificence.
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What a splendid time Woo must have had.
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When you really think about your hand you begin to realize its connection, to sense the hum of your own being passing through it. When we look at a piece of the universe we should feel the same.
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You always feel when you look it straight in the eye that you could have put more into it, could have let yourself go and dug harder.
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I wonder why we are always sort of ashamed of our best parts and try to hide them. We don't mind ridicule of our 'sillinesses' but of our 'sobers'.
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