Quote

There is a side of friendship that develops better and stronger by correspondence than contact.... The absence of the flesh in writing perhaps brings souls nearer.

Emily Carr

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Emily Carr
Age: 73 †
Born: 1871
Born: December 13
Died: 1945
Died: March 2
Artist
Autobiographer
Painter
Writer
M. Emily Carr
Emily M. Carr
Klee Wyck
Perhaps
Nearer
Side
Contact
Sides
Absence
Soul
Souls
Better
Brings
Writing
Flesh
Friendship
Correspondence
Stronger
Develops

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Do not try to do extraordinary things but do ordinary things with intensity.
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The foolish square calves pretend to be frightened of our train. Bluffers! Haven't they seen it every day since they were born? It's just an excuse to shake the joy out of their heels.
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Trying to find equivalents for things in words helps me find equivalents in painting.
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The sun enriched the old poles grandly... The mothers expressed all womanhood - the big wooden hands holding the child were so full of tenderness they had to be distorted enormously in order to contain it all. Womanhood was strong in Kitwancool.
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The house begins to be a home. The unfamiliar places are beginning to fold the familiar objects into their keeping and to cozy them down. Objects that swore at each other when the movers heaved them into the new rooms have subsided into corners and sit to lick their feet and wash their faces like cats accepting a new home.
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Writing is a splendid sorter of... feelings, better even than paint.
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Oh, Spring! I want to go out and feel you and get inspiration. My old things seem dead. I want fresh contacts, more vital searching.
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You must be absolutely honest and true in the depicting of a totem for meaning is attached to every line. You must be most particular about detail and proportion.
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Be careful that you do not write or paint anything that is not your own, that you don't know in your own soul.
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Indian Art broadened my seeing, loosened the formal tightness I had learned in England's schools. Its bigness and stark reality baffled my white man's understanding... I had been schooled to see outsides only, not struggle to pierce.
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Twenty can't be expected to tolerate sixty in all things, and sixty gets bored stiff with twenty's eternal love affairs.
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I am always watching for fear of getting feeble and passé in my work. I don't want to trickle out. I want to pour till the pail is empty, the last bit going out in a gush, not in drops.
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It is wonderful to feel the grandness of Canada in the raw, not because she is Canada but because she's something sublime that you were born into, some great rugged power that you are a part of.
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The biggest part of painting perhaps is faith, and waiting receptively, content to go any way, not planning or forcing. The fear, though, is laziness. It is so easy to drift and finally be tossed up on the beach, derelict.
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It's all the unwordable things one wants to write about, just as it's all the unformable things one wants to paint - essence.
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Got a new pup. He is half griffon. The other half is mistake.
Emily Carr
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Indians do not hinder the progress of their dead by embalming or tight coffining. When the spirit has gone they give the body back to the earth. the earth welcomes the body-coaxes new life and beauty from it, hurries over what men shudder at. Lovely tender herbage bursts from the graves, swiftly, exulting over corruption.
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Inspiration is intention obeyed.
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You always feel when you look it straight in the eye that you could have put more into it, could have let yourself go and dug harder.
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Perfectly ordered disorder designed with a helter-skelter magnificence.
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