Quote

There is a side of friendship that develops better and stronger by correspondence than contact.... The absence of the flesh in writing perhaps brings souls nearer.

Emily Carr

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Emily Carr
Age: 73 †
Born: 1871
Born: December 13
Died: 1945
Died: March 2
Artist
Autobiographer
Painter
Writer
M. Emily Carr
Emily M. Carr
Klee Wyck
Writing
Flesh
Friendship
Correspondence
Stronger
Develops
Perhaps
Nearer
Side
Contact
Sides
Absence
Soul
Souls
Better
Brings

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Got a new pup. He is half griffon. The other half is mistake.
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Inspiration is intention obeyed.
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Oh, the glory of growth, silent, mighty, persistent, inevitable! To awaken, to open up like a flower to the light of a fuller consciousness!
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The sun enriched the old poles grandly... The mothers expressed all womanhood - the big wooden hands holding the child were so full of tenderness they had to be distorted enormously in order to contain it all. Womanhood was strong in Kitwancool.
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The biggest part of painting perhaps is faith, and waiting receptively, content to go any way, not planning or forcing. The fear, though, is laziness. It is so easy to drift and finally be tossed up on the beach, derelict.
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There was neither horizon, cloud, nor sound of that pink, spread silence even I had become part, belonging as much to sky as to earth.
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Indians do not hinder the progress of their dead by embalming or tight coffining. When the spirit has gone they give the body back to the earth. the earth welcomes the body-coaxes new life and beauty from it, hurries over what men shudder at. Lovely tender herbage bursts from the graves, swiftly, exulting over corruption.
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Up came the sun, and drank the dew.
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Oh I do want that thing, that oneness of movement that will catch the thing up into one movement and sing - harmony of life.
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The foolish square calves pretend to be frightened of our train. Bluffers! Haven't they seen it every day since they were born? It's just an excuse to shake the joy out of their heels.
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Be careful that you do not write or paint anything that is not your own, that you don't know in your own soul.
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The men resent a woman getting any honour in what they consider is essentially their field. Men painters mostly despise women painters. So I have decided to stop squirming, to throw any honour in with Canada and women.
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If you're going to lick the icing off somebody else's cake you won't be nourished and it won't do you any good,--or you might find the cake had caraway seeds and you hate them.
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The house begins to be a home. The unfamiliar places are beginning to fold the familiar objects into their keeping and to cozy them down. Objects that swore at each other when the movers heaved them into the new rooms have subsided into corners and sit to lick their feet and wash their faces like cats accepting a new home.
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Rentals sank, living rose. I could not afford help. I must be owner, agent, landlady and janitor. I loathed landladying... I tried in every way to augment my income. Small fruit, hens, rabbits, dogs - pottery... I never painted now - had neither time nor wanting. For about fifteen years I did not paint.
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Indian Art broadened my seeing, loosened the formal tightness I had learned in England's schools. Its bigness and stark reality baffled my white man's understanding... I had been schooled to see outsides only, not struggle to pierce.
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Trying to find equivalents for things in words helps me find equivalents in painting.
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I was not ready for abstraction. I clung to earth and her dear shapes, her density, her herbage, her juice. I wanted her volume, and I wanted to hear her throb.
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You always feel when you look it straight in the eye that you could have put more into it, could have let yourself go and dug harder.
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What a splendid time Woo must have had.
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