Quote

When you really think about your hand you begin to realize its connection, to sense the hum of your own being passing through it. When we look at a piece of the universe we should feel the same.

Emily Carr

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Emily Carr
Age: 73 †
Born: 1871
Born: December 13
Died: 1945
Died: March 2
Artist
Autobiographer
Painter
Writer
M. Emily Carr
Emily M. Carr
Klee Wyck
Feels
Realizing
Passings
Really
Hand
Connection
Think
Universe
Passing
Thinking
Sense
Connections
Hands
Piece
Look
Begin
Looks
Realize
Feel
Pieces

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Twenty can't be expected to tolerate sixty in all things, and sixty gets bored stiff with twenty's eternal love affairs.
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You always feel when you look it straight in the eye that you could have put more into it, could have let yourself go and dug harder.
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Do not try to do extraordinary things but do ordinary things with intensity.
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Up came the sun, and drank the dew.
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Oh I do want that thing, that oneness of movement that will catch the thing up into one movement and sing - harmony of life.
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The biggest part of painting perhaps is faith, and waiting receptively, content to go any way, not planning or forcing. The fear, though, is laziness. It is so easy to drift and finally be tossed up on the beach, derelict.
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The house begins to be a home. The unfamiliar places are beginning to fold the familiar objects into their keeping and to cozy them down. Objects that swore at each other when the movers heaved them into the new rooms have subsided into corners and sit to lick their feet and wash their faces like cats accepting a new home.
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Let me not fuss and fret at my incompetence but be still and know that Thou art God.
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It's all the unwordable things one wants to write about, just as it's all the unformable things one wants to paint - essence.
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Indian Art broadened my seeing, loosened the formal tightness I had learned in England's schools. Its bigness and stark reality baffled my white man's understanding... I had been schooled to see outsides only, not struggle to pierce.
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I wonder why we are always sort of ashamed of our best parts and try to hide them. We don't mind ridicule of our 'sillinesses' but of our 'sobers'.
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The spirit must be felt so intensely that it has power to call others in passing, for it must pass, not stop in the pictures.
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I was not ready for abstraction. I clung to earth and her dear shapes, her density, her herbage, her juice. I wanted her volume, and I wanted to hear her throb.
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real art is religion, a search for the beauty of God deep in all things.
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Perfectly ordered disorder designed with a helter-skelter magnificence.
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The men resent a woman getting any honour in what they consider is essentially their field. Men painters mostly despise women painters. So I have decided to stop squirming, to throw any honour in with Canada and women.
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Indians do not hinder the progress of their dead by embalming or tight coffining. When the spirit has gone they give the body back to the earth. the earth welcomes the body-coaxes new life and beauty from it, hurries over what men shudder at. Lovely tender herbage bursts from the graves, swiftly, exulting over corruption.
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There is no right and wrong way to paint except honestly or dishonestly. Honestly is trying for the bigger thing. Dishonestly is bluffing and getting through a smattering of surface representation with no meaning.
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What do I want to express? The subject means little. The arrangement, the design, colour, shape, depth, light, space, mood, movement, balance, not one or all of these fills the bill. There is something additional, a breath that draws your breath into its breathing, a heartbeat that pounds on yours, a recognition of the oneness of all things.
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You must be absolutely honest and true in the depicting of a totem for meaning is attached to every line. You must be most particular about detail and proportion.
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