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So still were the big woods where I sat, sound might not yet have been born.

Emily Carr

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Emily Carr
Age: 73 †
Born: 1871
Born: December 13
Died: 1945
Died: March 2
Artist
Autobiographer
Painter
Writer
M. Emily Carr
Emily M. Carr
Klee Wyck
Bigs
Born
Dialect
Stills
Sat
Still
Staring
Might
Woods
Silence
Sound

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Got a new pup. He is half griffon. The other half is mistake.
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It is wonderful to feel the grandness of Canada in the raw, not because she is Canada but because she's something sublime that you were born into, some great rugged power that you are a part of.
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I wonder why we are always sort of ashamed of our best parts and try to hide them. We don't mind ridicule of our 'sillinesses' but of our 'sobers'.
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Oh I do want that thing, that oneness of movement that will catch the thing up into one movement and sing - harmony of life.
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The biggest part of painting perhaps is faith, and waiting receptively, content to go any way, not planning or forcing. The fear, though, is laziness. It is so easy to drift and finally be tossed up on the beach, derelict.
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What do I want to express? The subject means little. The arrangement, the design, colour, shape, depth, light, space, mood, movement, balance, not one or all of these fills the bill. There is something additional, a breath that draws your breath into its breathing, a heartbeat that pounds on yours, a recognition of the oneness of all things.
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Be careful that you do not write or paint anything that is not your own, that you don't know in your own soul.
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You always feel when you look it straight in the eye that you could have put more into it, could have let yourself go and dug harder.
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Twenty can't be expected to tolerate sixty in all things, and sixty gets bored stiff with twenty's eternal love affairs.
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It's all the unwordable things one wants to write about, just as it's all the unformable things one wants to paint - essence.
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There is something bigger than fact: the underlying spirit, all it stands for, the mood, the vastness, the wildness.
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I am always watching for fear of getting feeble and passé in my work. I don't want to trickle out. I want to pour till the pail is empty, the last bit going out in a gush, not in drops.
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What a splendid time Woo must have had.
Emily Carr
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Trying to find equivalents for things in words helps me find equivalents in painting.
Emily Carr
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You must be absolutely honest and true in the depicting of a totem for meaning is attached to every line. You must be most particular about detail and proportion.
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There is no right and wrong way to paint except honestly or dishonestly. Honestly is trying for the bigger thing. Dishonestly is bluffing and getting through a smattering of surface representation with no meaning.
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The sun enriched the old poles grandly... The mothers expressed all womanhood - the big wooden hands holding the child were so full of tenderness they had to be distorted enormously in order to contain it all. Womanhood was strong in Kitwancool.
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Do not try to do extraordinary things but do ordinary things with intensity.
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When you really think about your hand you begin to realize its connection, to sense the hum of your own being passing through it. When we look at a piece of the universe we should feel the same.
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Go out there into the glory of the woods. See God in every particle of them expressing glory and strength and power, tenderness and protection. Know that they are God expressing God made manifest.
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