Quote

I was not ready for abstraction. I clung to earth and her dear shapes, her density, her herbage, her juice. I wanted her volume, and I wanted to hear her throb.

Emily Carr

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Emily Carr
Age: 73 †
Born: 1871
Born: December 13
Died: 1945
Died: March 2
Artist
Autobiographer
Painter
Writer
M. Emily Carr
Emily M. Carr
Klee Wyck
Volume
Dear
Shapes
Ready
Throb
Hear
Clung
Earth
Density
Wanted
Juice
Abstraction

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Indian Art broadened my seeing, loosened the formal tightness I had learned in England's schools. Its bigness and stark reality baffled my white man's understanding... I had been schooled to see outsides only, not struggle to pierce.
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Oh, Spring! I want to go out and feel you and get inspiration. My old things seem dead. I want fresh contacts, more vital searching.
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The spirit must be felt so intensely that it has power to call others in passing, for it must pass, not stop in the pictures.
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Do not try to do extraordinary things but do ordinary things with intensity.
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There is something bigger than fact: the underlying spirit, all it stands for, the mood, the vastness, the wildness.
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When you really think about your hand you begin to realize its connection, to sense the hum of your own being passing through it. When we look at a piece of the universe we should feel the same.
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The biggest part of painting perhaps is faith, and waiting receptively, content to go any way, not planning or forcing. The fear, though, is laziness. It is so easy to drift and finally be tossed up on the beach, derelict.
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Indians do not hinder the progress of their dead by embalming or tight coffining. When the spirit has gone they give the body back to the earth. the earth welcomes the body-coaxes new life and beauty from it, hurries over what men shudder at. Lovely tender herbage bursts from the graves, swiftly, exulting over corruption.
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There is no right and wrong way to paint except honestly or dishonestly. Honestly is trying for the bigger thing. Dishonestly is bluffing and getting through a smattering of surface representation with no meaning.
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Up came the sun, and drank the dew.
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Inspiration is intention obeyed.
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Trying to find equivalents for things in words helps me find equivalents in painting.
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Be careful that you do not write or paint anything that is not your own, that you don't know in your own soul.
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The men resent a woman getting any honour in what they consider is essentially their field. Men painters mostly despise women painters. So I have decided to stop squirming, to throw any honour in with Canada and women.
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I am always watching for fear of getting feeble and passé in my work. I don't want to trickle out. I want to pour till the pail is empty, the last bit going out in a gush, not in drops.
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real art is religion, a search for the beauty of God deep in all things.
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So still were the big woods where I sat, sound might not yet have been born.
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The house begins to be a home. The unfamiliar places are beginning to fold the familiar objects into their keeping and to cozy them down. Objects that swore at each other when the movers heaved them into the new rooms have subsided into corners and sit to lick their feet and wash their faces like cats accepting a new home.
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Oh I do want that thing, that oneness of movement that will catch the thing up into one movement and sing - harmony of life.
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Perfectly ordered disorder designed with a helter-skelter magnificence.
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