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I was not ready for abstraction. I clung to earth and her dear shapes, her density, her herbage, her juice. I wanted her volume, and I wanted to hear her throb.

Emily Carr

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Emily Carr
Age: 73 †
Born: 1871
Born: December 13
Died: 1945
Died: March 2
Artist
Autobiographer
Painter
Writer
M. Emily Carr
Emily M. Carr
Klee Wyck
Hear
Clung
Earth
Density
Wanted
Juice
Abstraction
Volume
Dear
Shapes
Ready
Throb

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There is no right and wrong way to paint except honestly or dishonestly. Honestly is trying for the bigger thing. Dishonestly is bluffing and getting through a smattering of surface representation with no meaning.
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The men resent a woman getting any honour in what they consider is essentially their field. Men painters mostly despise women painters. So I have decided to stop squirming, to throw any honour in with Canada and women.
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You must be absolutely honest and true in the depicting of a totem for meaning is attached to every line. You must be most particular about detail and proportion.
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Oh, the glory of growth, silent, mighty, persistent, inevitable! To awaken, to open up like a flower to the light of a fuller consciousness!
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I am always watching for fear of getting feeble and passé in my work. I don't want to trickle out. I want to pour till the pail is empty, the last bit going out in a gush, not in drops.
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I wonder why we are always sort of ashamed of our best parts and try to hide them. We don't mind ridicule of our 'sillinesses' but of our 'sobers'.
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The sun enriched the old poles grandly... The mothers expressed all womanhood - the big wooden hands holding the child were so full of tenderness they had to be distorted enormously in order to contain it all. Womanhood was strong in Kitwancool.
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What do I want to express? The subject means little. The arrangement, the design, colour, shape, depth, light, space, mood, movement, balance, not one or all of these fills the bill. There is something additional, a breath that draws your breath into its breathing, a heartbeat that pounds on yours, a recognition of the oneness of all things.
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The spirit must be felt so intensely that it has power to call others in passing, for it must pass, not stop in the pictures.
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Let me not fuss and fret at my incompetence but be still and know that Thou art God.
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Go out there into the glory of the woods. See God in every particle of them expressing glory and strength and power, tenderness and protection. Know that they are God expressing God made manifest.
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Be careful that you do not write or paint anything that is not your own, that you don't know in your own soul.
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It is wonderful to feel the grandness of Canada in the raw, not because she is Canada but because she's something sublime that you were born into, some great rugged power that you are a part of.
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There is something bigger than fact: the underlying spirit, all it stands for, the mood, the vastness, the wildness.
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So still were the big woods where I sat, sound might not yet have been born.
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What a splendid time Woo must have had.
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Oh I do want that thing, that oneness of movement that will catch the thing up into one movement and sing - harmony of life.
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Indians do not hinder the progress of their dead by embalming or tight coffining. When the spirit has gone they give the body back to the earth. the earth welcomes the body-coaxes new life and beauty from it, hurries over what men shudder at. Lovely tender herbage bursts from the graves, swiftly, exulting over corruption.
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Got a new pup. He is half griffon. The other half is mistake.
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Indian Art broadened my seeing, loosened the formal tightness I had learned in England's schools. Its bigness and stark reality baffled my white man's understanding... I had been schooled to see outsides only, not struggle to pierce.
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