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Twenty can't be expected to tolerate sixty in all things, and sixty gets bored stiff with twenty's eternal love affairs.

Emily Carr

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Emily Carr
Age: 73 †
Born: 1871
Born: December 13
Died: 1945
Died: March 2
Artist
Autobiographer
Painter
Writer
M. Emily Carr
Emily M. Carr
Klee Wyck
Love
Bored
Twenty
Affair
Twenties
Stiff
Expected
Sixty
Eternal
Tolerate
Gets
Affairs
Things
Aging

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It is wonderful to feel the grandness of Canada in the raw, not because she is Canada but because she's something sublime that you were born into, some great rugged power that you are a part of.
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There is something bigger than fact: the underlying spirit, all it stands for, the mood, the vastness, the wildness.
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Be careful that you do not write or paint anything that is not your own, that you don't know in your own soul.
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My mountain is dead. As soon as she has dried, I'll bury her under a decent layer of white paint. But I haven't done with the old lady far from it!
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It's all the unwordable things one wants to write about, just as it's all the unformable things one wants to paint - essence.
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I wonder why we are always sort of ashamed of our best parts and try to hide them. We don't mind ridicule of our 'sillinesses' but of our 'sobers'.
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The spirit must be felt so intensely that it has power to call others in passing, for it must pass, not stop in the pictures.
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There is a side of friendship that develops better and stronger by correspondence than contact.... The absence of the flesh in writing perhaps brings souls nearer.
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Rentals sank, living rose. I could not afford help. I must be owner, agent, landlady and janitor. I loathed landladying... I tried in every way to augment my income. Small fruit, hens, rabbits, dogs - pottery... I never painted now - had neither time nor wanting. For about fifteen years I did not paint.
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The foolish square calves pretend to be frightened of our train. Bluffers! Haven't they seen it every day since they were born? It's just an excuse to shake the joy out of their heels.
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There was neither horizon, cloud, nor sound of that pink, spread silence even I had become part, belonging as much to sky as to earth.
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The biggest part of painting perhaps is faith, and waiting receptively, content to go any way, not planning or forcing. The fear, though, is laziness. It is so easy to drift and finally be tossed up on the beach, derelict.
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Oh, the glory of growth, silent, mighty, persistent, inevitable! To awaken, to open up like a flower to the light of a fuller consciousness!
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Let me not fuss and fret at my incompetence but be still and know that Thou art God.
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Indians do not hinder the progress of their dead by embalming or tight coffining. When the spirit has gone they give the body back to the earth. the earth welcomes the body-coaxes new life and beauty from it, hurries over what men shudder at. Lovely tender herbage bursts from the graves, swiftly, exulting over corruption.
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You must be absolutely honest and true in the depicting of a totem for meaning is attached to every line. You must be most particular about detail and proportion.
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So still were the big woods where I sat, sound might not yet have been born.
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Trying to find equivalents for things in words helps me find equivalents in painting.
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