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I chop a lot of onions because I love cooking, and the times where I've never cried chopping onions is when I'm not thinking about it, when I'm talking to someone or I'm listening to music.

Emily Blunt

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Emily Blunt
Age: 41
Born: 1983
Born: February 23
Actor
Actress
Film Actor
Screenwriter
Stage Actor
Television Actor
Wandsworth Town
Emily Olivia Leah Blunt
Times
Someone
Chop
Music
Chopping
Never
Onions
Love
Cried
Thinking
Cooking
Listening
Talking

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The more we mask ourselves, the freer we're able to be within ourselves.
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I'm definitely not a science nerd. That was not my forte at school.
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I'm kind of effectively bipolar.
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The performances I enjoy are the ones that are hard to read or ambiguous or left-of-centre because it makes you look closer and that's what humans are like - quite mysterious creatures, hard to pinpoint.
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Watch the History Channel if you want it literal and historically perfect.
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If you're very open to watching the world go by, with people's different tics, you absorb it all without realizing it and find ways to put something into your character. I'm not sure I'm always aware I'm mimicking someone.
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I don't really watch that much TV, to be honest.
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When you're in love, you're so happy that you want to tell people about it. But now I have to censor myself. You need to protect the happiness you have.
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I'm not someone who likes to plan too much ahead.
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It's very hard to play the straight lead girl and still make her sparkly and fun and real.
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I think a shot can actually influence a scene in a huge way. For example, comedy is always better in a two-shot. What's between the characters is what's funny. So you learn about these things as you go along.
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If you can capture the humanity of a family struggling in an economic crisis you can make a difference. You can raise awareness just of the simple humanity.
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I've always been quite a spontaneous person, so I would lean more towards, if you feel it and you know its right, then do it.
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It's quite hard to faze me. I'm fairly un-shockable.
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I find it very strange doing voiceover stuff, because you find you have to enunciate and make stupid faces in order for the point to make sense, because it's playing against the deadpan Simpson face. If you're just speaking in the regular way you speak, it will sound really boring.
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When I read a script, I'll have a very visceral gut reaction to what does this mean to me? How does she feel in my skin? Could I play this role?
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I appreciate a slow-burn romance. In most movies, everyone is just tearing their clothes off in the first scene.
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It's nothing to be ashamed of to have a stutter.
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Why should you have to atone for making big movies?
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