Quote

Not dreams but night changes, not destiny but path changes, always keep your hopes alive, luck may or may not change, but time definitely chages.

Elmore Leonard

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Elmore Leonard
Age: 87 †
Born: 1925
Born: October 11
Died: 2013
Died: August 20
Author
Film Producer
Novelist
Prosaist
Screenwriter
Writer
New Orleans
Louisiana
Dutch Leonard
Elmore John Leonard Jr.
Dream
Luck
Change
Changes
May
Destiny
Always
Dreams
Time
Path
Alive
Keep
Hopes
Night
Definitely

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To me, a book is a book, an electronic device is not, and love of books was the reason I started writing.
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At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.
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I still read Hemingway. I still read his short stories because they're so good. He doesn't waste any words.
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I don’t think writers compete, I think they’re all doing separate things in their own style.
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Never use an adverb to modify the verb 'said' . . . he admonished gravely. To use an adverb this way (or almost any way) is a mortal sin. The writer is now exposing himself in earnest, using a word that distracts and can interrupt the rhythm of the exchange.
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These are rules I've picked up along the way to help me remain invisible when I'm writing a book, to help me show rather than tell what's taking place in the story.
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I left advertising as fast as I could in 1961. And I haven't ever thought about going back.
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I want the reader to know what's going on. So there's never a mystery in my books.
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I have fun writing. I don't make it a chore. I don't have to struggle with it.
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Never use the words 'suddenly' or 'all hell broke loose.'
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I never see my bad guys as simply bad. They want pretty much the same thing that you and I want: they want to be happy.
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Skip the boring parts.
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Don't go into great detail describing places and things, unless you're ­Margaret Atwood and can paint scenes with language. You don't want descriptions that bring the action, the flow of the story, to a standstill.
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I focus on characters as individuals with attitudes and write each scene from a particular character's point of view. That way, even narrative passages take on the character's sound. I don't want the reader to be aware of me, writing.
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I won't read a book that starts with a description of the weather. I don't read books over 300 pages, though I'll make an exception for Don Delillo.
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My most important rule is one that sums up the 10: If it sounds like writing, I rewrite it.
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There are cities that get by on their good looks, offer climate and scenery, views of mountains or oceans, rockbound or with palm trees. And there are cities like Detroit that have to work for a living.
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It doesn't have to make sense, it just has to sound like it does.
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If work was a good thing, the rich would have it all and not let you do it.
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Bad guys are not bad guys twenty-four hours a day.
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