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I don't believe in writer's block. I don't know what that is. There are just certain little areas that I know I'm going to get through. It's just a matter of finding a way.
Elmore Leonard
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Elmore Leonard
Age: 87 †
Born: 1925
Born: October 11
Died: 2013
Died: August 20
Author
Film Producer
Novelist
Prosaist
Screenwriter
Writer
New Orleans
Louisiana
Dutch Leonard
Elmore John Leonard Jr.
Littles
Little
Matter
Block
Going
Findings
Believe
Finding
Way
Areas
Writer
Certain
More quotes by Elmore Leonard
There are cities that get by on their good looks, offer climate and scenery, views of mountains or oceans, rockbound or with palm trees. And there are cities like Detroit that have to work for a living.
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I don’t think writers compete, I think they’re all doing separate things in their own style.
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Not dreams but night changes, not destiny but path changes, always keep your hopes alive, luck may or may not change, but time definitely chages.
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If it sounds like writing, I rewrite it.
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I still read Hemingway. I still read his short stories because they're so good. He doesn't waste any words.
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There's nothing like work to take your mind off your worries.
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Bad guys are not bad guys twenty-four hours a day.
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If work was a good thing, the rich would have it all and not let you do it.
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To me, a book is a book, an electronic device is not, and love of books was the reason I started writing.
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If it sounds like writing, I rewrite it. Or, if proper usage gets in the way, it may have to go. I can't allow what we learned in English composition to disrupt the sound and rhythm of the narrative.
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A man can be in two different places and he will be two different men. Maybe if you think of more places he will be more men, but two is enough for now.
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Never use an adverb to modify the verb 'said' . . . he admonished gravely. To use an adverb this way (or almost any way) is a mortal sin. The writer is now exposing himself in earnest, using a word that distracts and can interrupt the rhythm of the exchange.
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All the information you need can be given in dialogue.
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Don't go into great detail describing places and things, unless you're Margaret Atwood and can paint scenes with language. You don't want descriptions that bring the action, the flow of the story, to a standstill.
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It doesn't have to make sense, it just has to sound like it does.
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My most important rule is one that sums up the 10: If it sounds like writing, I rewrite it.
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What do you tell a man with two black eyes? Nothing, he's already been told twice.
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Try not to write the parts that people skip.
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I won't read a book that starts with a description of the weather. I don't read books over 300 pages, though I'll make an exception for Don Delillo.
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Don't worry about what your mother thinks of your language.
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