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Don't go into great detail describing places and things, unless you're Margaret Atwood and can paint scenes with language. You don't want descriptions that bring the action, the flow of the story, to a standstill.
Elmore Leonard
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Elmore Leonard
Age: 87 †
Born: 1925
Born: October 11
Died: 2013
Died: August 20
Author
Film Producer
Novelist
Prosaist
Screenwriter
Writer
New Orleans
Louisiana
Dutch Leonard
Elmore John Leonard Jr.
Language
Details
Action
Paint
Standstill
Stories
Flow
Descriptions
Great
Places
Margaret
Things
Scene
Describing
Unless
Detail
Bring
Scenes
Story
Description
More quotes by Elmore Leonard
Skip the boring parts.
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I don't judge in my books. I don't have to have the antagonist get shot or the protagonist win. It's just how it comes out. I'm just telling a story.
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What do you tell a man with two black eyes? Nothing, he's already been told twice.
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Bad guys are not bad guys twenty-four hours a day.
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Try not to write the parts that people skip.
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Never use the words 'suddenly' or 'all hell broke loose.'
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Not dreams but night changes, not destiny but path changes, always keep your hopes alive, luck may or may not change, but time definitely chages.
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I focus on characters as individuals with attitudes and write each scene from a particular character's point of view. That way, even narrative passages take on the character's sound. I don't want the reader to be aware of me, writing.
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There's nothing like work to take your mind off your worries.
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I don’t think writers compete, I think they’re all doing separate things in their own style.
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Never use an adverb to modify the verb 'said' . . . he admonished gravely. To use an adverb this way (or almost any way) is a mortal sin. The writer is now exposing himself in earnest, using a word that distracts and can interrupt the rhythm of the exchange.
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I still read Hemingway. I still read his short stories because they're so good. He doesn't waste any words.
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I don't want the reader to be aware of me as the writer.
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I'm very much aware in the writing of dialogue, or even in the narrative too, of a rhythm. There has to be a rhythm with it … Interviewers have said, you like jazz, don’t you? Because we can hear it in your writing. And I thought that was a compliment.
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Everyone has his own sound. I'm not going to presume how to tell anybody how to write.
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I left advertising as fast as I could in 1961. And I haven't ever thought about going back.
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My most important rule is one that sums up the 10: If it sounds like writing, I rewrite it.
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I think any writer is a fool if he doesn't do it for money. There needs to be some kind of incentive in addition to the project. It all goes together. It's fun to sit there and think of characters and get them into action, then be paid for it. I can't believe it when writers tell me 'I don't want to show my work to anybody'.
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These are rules I've picked up along the way to help me remain invisible when I'm writing a book, to help me show rather than tell what's taking place in the story.
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If it sounds like writing, I rewrite it.
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