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That was one of the big problems when I was at Harvard studying music. We had to write choral pieces in the style of Brahms or Mendelssohn, which was distressing because in the end you realized how good Brahms is, and how bad you are.

Elliott Carter

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Elliott Carter
Age: 103 †
Born: 1908
Born: December 11
Died: 2012
Died: November 5
Composer
Music Pedagogue
University Teacher
Manhattan borough
New York City
Elliott Cook Carter
Jr.
Elliott Carter
Jr.
Elliot Carter
Ends
Studying
Problem
Realized
Music
Problems
Writing
Pieces
Choral
Good
Style
Mendelssohn
Study
Brahms
Bigs
Distressing
Write
Harvard

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Aaron Copland was a man that had a very specific point of view about what music should be which was that, he felt that new music should have the composer should show a personality in his music.
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Talking about a materialistic thing, I get about 13 times more royalties from Europe than I do from America.
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Right at the end of the war I wrote a piano sonata, which was written at a time when Sam Barber used to come down here and we used to have lunch together in a very nice old hotel that's now not there.
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Why write for the orchestra? For one thing it's a very challenging problem.
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The first thing that struck me about contemporary music in general had been thatthere was not much interest in rhythm.
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Well when I was young, when I was very young, when I was a little boy I don't remember the music I heard, but there was an article in the Brooklyn Daily written by my Aunt about how I could choose phonograph records.
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Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.
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Almost every one of my various zero numbered birthdays has had a big concert in London and often in Paris.
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The Quartets have been a major part of my work.
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Silences between movements are employed only in order to bring the opposing duo to the fore.
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