What turns me on is erotica what turns you on is pornographic.

A triumphalist corporate capitalism, free at last of the specter of Communism, has mobilized its economic power to relentlessly marginalize all nonmarket values to subordinate every aspect of American life to corporate efficiency and the bottom line to demonize not only government but the very idea of public service and public goods.

The will to power is the will to ecstasy is the will to surrender is the will to submit and, in extremis, to die. Or to put it another way, the rage to attain a freedom and happiness one's psyche cannot accept creates enormous anxiety and ends in self-punishing despair.

I believe that we are all, openly or secretly, struggling against one or another kind of nihilism.

Often men's impulses to coerce and degrade women seem to express not a confident assumption of dominance but a desire to retaliate for feelings of rejection, humiliation, and impotence: as many men see it, they need women sexually more than women need them, an intolerable balance of power.

If believers feel that their faith is trivialized and their true selves compromised by a society that will not give religious imperatives special weight, their problem is not that secularists are antidemocratic but that democracy is antiabsolutist.

Mass consumption, advertising, and mass art are a corporate Frankenstein while they reinforce the system, they also undermine it.

The goal of the right is not to stop abortion but to demonize it, punish it and make it as difficult and traumatic as possible. All this it has accomplished fairly well, even without overturning Roe v. Wade .

Whatever their limitations, Freud and Marx developed complex and subtle theories of human nature grounded in their observation of individual and social behavior. The crackpot rationalism of free-market economics merely relies on an abstract model of how people must behave.

Music that boldly and aggressively laid out what the singer wanted, loved, hated — as good rock ’n’ roll did — challenged me to do the same, and so, even when the content was antiwoman, antisexual, in a sense anti­human, the form encouraged my struggle for liberation.