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Sometimes I see movies and I get almost angry - because I'm like, I can never make that movie. It stems from a jealousy, but from a good kind of jealousy. It's inspirational.

Ellen Page

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I always take the time to eat well and eat locally because it's common sense.
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I have trouble sometimes watching actors - even when they do a great job - with an accent. It kind of removes me, somehow. And maybe at some point, yeah, it could be a really cool experience. It's not something that I consciously think, Oh yeah, I want to do a movie with an accent. Not to say that it couldn't happen.
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I guess I notice things as a woman just in the way I'm spoken to.
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No matter what character your play. I feel like whenever anyone is honest and whole and well-written, you're going to be able to connect to that person because we're all kinda made up of the same stuff and I think that's always one of the really powerful things about approaching each individual character and role and film.
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Usually, when you're in a movie, you're disconnected from it. You're never going to feel what you felt when you made it.
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Patricia [Rozema] is really special, and she really worked hard to make the environment and the landscapes' natural beauty come alive. She was not forceful with anything, but enabled it to really have this poetic nature.
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I wish transphobia, biphobia, homophobia didn't exist, and I wish that's what the show could just be, but sadly that's not the situation around the world.
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When we're growing up there are all sorts of people telling us what to do when really what we need is space to work out who to be.
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When I was 5, someone thought it was smart to let me watch The People Under the Stairs. It might not have even been that scary, but I do remember skinned people in cages under the stairs and a man who lived in a wall without a tongue… and that’s why I cry after sex.
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I've never done a movie in that genre, and I love a lot of those movies. I watched the director's [David Freyne] short film [The First Wave], which I loved. And the script was just so good. He's found this way to tell a new story.
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Diablo Cody wasn't writing a script about a 16-year girl that got an abortion. She was writing a script about a 16-year old girl that got pregnant, decided to have the baby and give it to a young yuppy uptight couple for adoption. That's what the movie is about.
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I was maybe 10 or 11 when I saw 'Titanic.' And, yes, I was a fan. I loved it.
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