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And I think it's really easy for people to point out hypocrisy in people's lives.

Ellen Page

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Diablo Cody wasn't writing a script about a 16-year girl that got an abortion. She was writing a script about a 16-year old girl that got pregnant, decided to have the baby and give it to a young yuppy uptight couple for adoption. That's what the movie is about.
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It's weird because here I am, an actress, representing - at least in some sense - an industry that places crushing standards on all of us. Not just young people, but everyone. Standards of beauty. Of a good life. Of success. Standards that, I hate to admit, have affected me.
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You should've gone to China, you know, 'cause I hear they give away babies like free iPods. You know, they pretty much just put them in those t-shirt guns and shoot them out at sporting events.
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When we're growing up there are all sorts of people telling us what to do when really what we need is space to work out who to be.
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I wish transphobia, biphobia, homophobia didn't exist, and I wish that's what the show could just be, but sadly that's not the situation around the world.
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I loved Thirteen and I loved Pretty Persuasion, and was always just so blown away by her [Rachel Evan Wood]. It was nice, and sadly, it is so rare.
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I just love it so much [acting]. When I get passionate, I’ll give you everything until I collapse. That’s not in any ’Look at me, I’m a saint’ kind of way. It’s very selfish in a way. I’m doing this really awesome exploration, and it’s like a drug, because I completely disappear.
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If you can really hear more of the root cause, maybe there are ways that we can get beyond it, or destroy it, actually.
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I don't really want to do the Hollywood thing, I think you ought to try to say something with your movies.
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I've always been a huge fan of Patricia's [Rozema ], as a director and as a writer, and she's a friend. For me, Patricia is one of those people who can cross genre in a way that I think has been pretty incredible, if you look at her career and the versatility of her work.
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I have trouble sometimes watching actors - even when they do a great job - with an accent. It kind of removes me, somehow. And maybe at some point, yeah, it could be a really cool experience. It's not something that I consciously think, Oh yeah, I want to do a movie with an accent. Not to say that it couldn't happen.
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I am tired of hiding and I am tired of lying by omission. I suffered for years because I was scared to be out. My spirit suffered, my mental health suffered and my relationships suffered. And I'm standing here today, with all of you, on the other side of that pain.
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I grew up playing sports, but now I feel like I can't, because if I get injured, I'll impair whatever film I'm working on.
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You think you're in a place where you're all 'I'm thrilled to be gay, I have no issues about being gay anymore, I don't feel shame about being gay,' but you actually do. You're just not fully aware of it. I think I still felt scared about people knowing. I felt awkward around gay people I felt guilty for not being myself.
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I'm not used to being in front of a camera as myself. I'm not used to watching myself as myself.
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I think a lot of people in my circle are thinking that way or see the movie [Into the Forest] and then really think that way. I think it's hopefully tapping into sort of a consciousness right now in regards to our society's relationship with the environment and our own and our disconnect from it, myself included.
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When I was 5, someone thought it was smart to let me watch The People Under the Stairs. It might not have even been that scary, but I do remember skinned people in cages under the stairs and a man who lived in a wall without a tongue… and that’s why I cry after sex.
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By focusing on the community, you can learn more about the whole country.
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