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I have trouble sometimes watching actors - even when they do a great job - with an accent.

Ellen Page

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Ellen Page
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One of those things where immediately when you started reading it, you knew it was something special and then the more you read, the more it surprised you, and the more you realized it was devoid of stereotype .
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When I was 5, someone thought it was smart to let me watch The People Under the Stairs. It might not have even been that scary, but I do remember skinned people in cages under the stairs and a man who lived in a wall without a tongue… and that’s why I cry after sex.
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I remember having been with this book [Into the Forest] for a long time, and I remember the moment that she [Patricia Rozema] sent me the script and what it was like to read it for the first time. I just was so blown away by how she managed to capture the story and their relationship to each other, and the nuances of that.
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I hate how box office failures are blamed on an actress, yet I don’t see a box office failure blamed on men. I think a lot of the time in films, men get roles where they create their own destiny and women are just tools, supporters for that. I guess it’s because we live in a patriarchal society, where feminism is a dirty word.
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Now I'm able to align my work and creative life with who I am.
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Movies don't necessarily change culture. I don't know if we know for sure if movies change culture but we know for sure that they reflect culture.
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Mind you, Roman Holiday - which is kind of a romantic comedy - is one of my favorite films, and I think Audrey Hepburn is absolutely phenomenal in that movie.
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But I've never been really rebellious. I've got a lot of support and I'm not pushed so hard that I feel like I'm going to burn out, which is what happens to a lot of actors in their early twenties.
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I think a lot of people in my circle are thinking that way or see the movie [Into the Forest] and then really think that way. I think it's hopefully tapping into sort of a consciousness right now in regards to our society's relationship with the environment and our own and our disconnect from it, myself included.
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I grew up playing sports, but now I feel like I can't, because if I get injured, I'll impair whatever film I'm working on.
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I wish transphobia, biphobia, homophobia didn't exist, and I wish that's what the show could just be, but sadly that's not the situation around the world.
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I don't get competitive, really. So I don't know. If I'm excited about something, hopefully someone will think, Oh right, you should do this. And that's great. I'm not being very articulate about this. I just don't want to do stuff if I'm going to feel bummed out and uninspired.
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There’s obviously a lot of tragedy in comedy I really enjoy the paradox of what a really good comedy is.
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Absolutely, I think coming out has allowed me to align who I am with with my creative self.
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I'm not used to being in front of a camera as myself. I'm not used to watching myself as myself.
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I love travel shows. I love Anthony Bourdain. I love No Reservations. I always learn so much, and I wanted to see one from a gay perspective that explored LGBT communities around the world.
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I grew up working in Canada so everything was low budget.
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We became so close [with Rachel Evan Wood], in the process of leading up to making the film [Into the Forest ]. We were saying goodbye to each other, wrapping the film, and we knew we'd be seeing each other again.
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Diablo Cody wasn't writing a script about a 16-year girl that got an abortion. She was writing a script about a 16-year old girl that got pregnant, decided to have the baby and give it to a young yuppy uptight couple for adoption. That's what the movie is about.
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Sometimes I see movies and I get almost angry - because I'm like, I can never make that movie. It stems from a jealousy, but from a good kind of jealousy. It's inspirational.
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