The defining aspects of westerns are still pretty much in place - namely landscape and conflict. In other books the conflict can be internal, but in westerns it usually plays out on a big stage.

I think when you're a writer most of what you read influences you. The rhythms get into your head.

Promised Lands was a better book in my opinion, and it's still my mother's favorite of the three I've done, but I doubt anyone who isn't a blood relative has ever heard of it. Which is to say expectations aren't worth much in the book world.

I love Austin. It's great here. I don't mind the heat.

Angle of Repose is one of my favorite books. I fell in love with it in college. When I submitted The Night Journal to my agent she got very excited because she said it reminded her of Angle of Repose.

It took me ten years to write The Night Journal, so that was a big ordeal.

I love the writers in Austin. We stick together. We all like each other and go to each other's book signings in case no one else shows up.

The Night Journal received two awards that I'm terribly proud of - -the Spur from Western Writers of America, and the Willa Literary Award from Women Writing the West. Both these groups are filled with great writers and good people.

I changed my hopes to being a singer [when I was a child] and sat around with my hair in my face droning Mac Davis songs. Writing was sort of a last stand. Come to think of it, it was the only talent I had that anyone asked for more of.

It seems like the Western genre has crept out of its casings during the last few years, and expanded to include books and movies we wouldn't originally have thought of as westerns.

I knew from previous books not to count on anything in terms of sales. My first novel - -The Raven's Bride, about Sam Houston's disastrous first marriage - -sold well and got attention, but my second book - -Promised Lands, about the Texas Revolution - -didn't.

I'd be a dope to compare my writing with Wallace Stegner's, but that book probably influenced me in ways I didn't even realize while I was writing The Night Journal.

When I started escaping to a neighbor's house to watch what I darn well pleased, it turned out to be The Big Valley. Every afternoon my friend and I would pour grape juice over mounds of ice cream and settle in to see what was happening with Barbara Stanwyck and Linda Evans and the boys in The Big Valley.

[My brother] was older, and since the law of the west was fairly entrenched in our household, whoever was bigger got control of the television. I sat mesmerized, and horrified, through hundreds of gunfights and became emotionally involved with everyone in Bonanza and Gunsmoke.

When Larry Wright won the Pulitzer for The Looming Tower we all strutted around for weeks, until some sourpuss among us noted that it was actually Larry, and not the rest of us, who won the prize.