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Jane Austen, much in advance of her day, was a mistress of the use of the dialogue. She used it as dialogue should be used-to advance the story not only to show the characters, but to advance.
Elizabeth Bowen
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Elizabeth Bowen
Age: 73 †
Born: 1899
Born: June 7
Died: 1973
Died: February 22
Novelist
Short Story Writer
Writer
Dublin city
Elisabeth Bowen
Much
Story
Show
Use
Austen
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Mistress
Stories
Jane
Used
Advance
Character
Dialogue
Writing
Characters
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Revenge was a very wild kind of justice.
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memory is to love what the saucer is to the cup.
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Habit is not mere subjugation, it is a tender tie when one remembers habit it seems to have been happiness.
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Disappointment tears the bearable film off life.
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It is not our exalted feelings, it is our sentiments that build the necessary home.
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Language is a mixture of statement and evocation.
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The heart may think it knows better: the senses know that absence blots people out. We really have no absent friends.
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Fantasy is toxic: the private cruelty and the world war both have their start in the heated brain.
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Nobody speaks the truth when there's something they must have.
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Education is not so important as people think.
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Dialogue must appear realistic without being so. Actual realism-the lifting, as it were, of passages from a stenographer's take-down of a 'real life' conversation-would be disruptive. Of what? Of the illusion of the novel. In 'real life' everything is diluted in the novel everything is condensed.
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Sport and death are the two great socializing factors in Ireland.
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All good dialogue perhaps deals with something unprecedented.
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Sacrificers are not the ones to pity. The ones to pity are those they sacrifice.
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Art is one thing that can go on mattering once it has stopped hurting.
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The paradox of romantic love -- that what one possesses, one can no longer desire -- was at work.
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Plot is the knowing of destination.
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Curiosity in Rome is a form of courtesy.
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After inside upheavals, it is important to fix on imperturbable things. Their imperturbableness, their air that nothing has happened renews our guarantee.
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... a novel survives because of its basic truthfulness, its having within it something general and universal, and a quality of imaginative perception which applies just as much now as it did in the fifty or hundred or two hundred years since the novel came to life.
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