I love working with male actors, and I think there's a tendency to write really interesting characters that would work solely alongside men where they would be in a man's world and have to deal with that, and it creates a lot of interesting storylines. For me, it's kind of circumstantial, but I definitely enjoy it.

When you audition for things, there's pressure to go in there with a complete performance, and it's kind of unfair because, if you get it, you'll have rehearsal and talk about it, and you'll have plenty of time with the script. So, for me, I really do feel like an audition is a sketch of what you might do.

I think every day there is some new actress comes out and inspires me to do something else... like Hilary Swank. After she did Boys Don't Cry, I felt this yearning to go out and be even half as good as she was.

She drove me to ballet class...and she took me to every audition. She'd be proud of me if I was still sitting in that seat or if I was watching from home. She believes in me and that's why this [award] is for her. She's a wonderful mother.

Anytime you have a female protagonist, it's going to turn into some feminist angle, and it's not a conscious thing on my part. It's only recently that that's been pointed out by the media . . . or pointed out by fans. I also find complicated, flawed characters interesting. What's the opposite? To play one-dimensional, boring failures?

To go from Girl, Interrupted, where I had to cry every day, to a TV show like West Wing where I get to laugh and joke around every day, has been a welcome relief.

One day you're there and then all of a sudden, there's less of you. And you wonder where that part went. If it's living somewhere outside of you. And you keep thinking maybe you'll get it back. And then you realize it's just gone.

I love baseball games. I got to go to World Series last year. I watch almost every Cubs game. If I can't watch, I get the updates on my phone. I don't like to go to parties that much. I don't like a lot of people around me, but not in like a weird anxiety way. I just don't like to have to talk to a lot of people.

If I'm not like my characters, I think just it's like a musician liking to play certain pieces of music rather than others. I just have more satisfaction when playing complicated things rather than some of your more straightforward, simple moments. . . . I like to be challenged.

I think my guideline has been to find things that inspire me. And as long as I stick to that, I don't think I'll have any problems crossing over to becoming an adult actress.

Even though I'm an actor, even though I know a little bit about film, I very much view things as an audience member. For me, whether it's TV, film, theater, whatever, it's a big movie, a small movie, whatever it is, I look for the truth in it. I look for the honesty. I just look for if it feels honest and real to me.

I think one of my biggest influences is Bette Davis. I've seen almost every one of her films, and she's been very inspiring to me.

I'm a champion napper. For the past decade, I've taken a nap at lunch on set. I have a noise machine app on my phone, headphones - and that's key. That's probably the most important thing. If I can get an eye mask on, that's great. And that's it. After a half an hour, I'm like a new person. It's just in that first half an hour, don't talk to me.

I don't feel I was ever a 'famous' child actor. I was just a working actor who happened to be a kid. I was never really in a hit show until I was a teenager with West Wing playing First Daughter Zoey Bartlet. In a way, that was my saving grace - not being a star on a hit show. It kept me working and kept me grounded.

I feel like women still deal with dressing appropriately for the office. It's by choice - you don't want to sexualize yourself too much. You want to be respected. You want to be taken seriously, and there's certain things in our culture, if you do, if you wear, you won't be taken seriously.