People are shaped by friendship as much as by romance.

I think it's true that, as is often observed, the writer is always an outsider. A writer is someone who is telling stories about what's going on, which is something you can't do if you're totally caught up in the moment.

I didn't care about truth I cared about beauty. It took me many years--it took the experience of lived time--to realize that they really are the same thing.

When you're reading a novel, I think the reason you care about how any given plot turns out is that you take it as a data point in the big story of how the world works. Does such-and-such a kind of guy get the girl in the end? Does adultery ever bring happiness? How do winners become winners?

I am a great admirer of Henry Jeffreys and have been eagerly awaiting his booze and empire book for many years!

Part of flirting is that you tend to give each other a little extra slack to be obscure - to say things that are suggestive and nuanced, rather than clear and comprehensible, things you wouldn't put up with in an essay or something written by a stranger - and that can be so exciting.

If I could start over today, I would choose literature again. If the answers exist in the world or in the universe, I still think that's where we're going to find them.

The novel form is about the protagonist's struggle to transform his arbitrary, fragmented, given experience into a narrative as meaningful as his favorite books.

There is salvation - happiness and virtue - in beauty. I would define beauty in this context as a kind of richness, complexity, mystery, diversity, otherness, and unexpectedness - something that comes from the outside.

There are ideas it will be easy to say in the future that we just don't have the language for now.

Humor is really important to me. All my favorite writers are writers I consider to be funny, including Tolstoy and Dostoevsky, even though that's not necessarily their rap.

In the last volume of In Search of Lost Time, Proust compares himself to Scheherazade: he says he has finally understood the nature of the book he has to write, just at the moment when his advancing years and declining health have made him doubt that he's going to live long enough to write it. So he has to write against death like Scheherazade.

Love is a rare and valuable thing, and you don't get to choose its object. You just go around getting hung up on all the least convenient things-and if the only obstacle in your way is a little extra work, then that's the wonderful gift right there.

Poetry is another space, like love, where we extend that extra credit to the writer.

I try really hard to cultivate the pure love of reading, to make time for it, because it would be really sad to still be a writer without remembering why, on some visceral, emotional level.

I think time just goes faster and faster. I'm saying this a few months away from my fortieth birthday. I don't know when and if one's identity ever does catch up with one's actual age. Personally I feel like I just got the hang of thirty-five.

In a way all writers are writing against death, because writing is an attempt to defy the passage of time, to refuse to let the past disappear and be forgotten, and to refuse to let the present become the past - to try to keep living another day, to try to talk your way into life, or seduce your way into it.

Everyone is used to speaking a slightly different language with their parents than with their peers, because spoken language changes every generation - like they say, the past is a foreign country - but I think this is intensified for children whose parents also grew up in a geographically foreign country.