Quote

The Time that Remains is a way of interpreting a certain ambience or emotion. These are the stories that my father told me over the course of fifteen or twenty years. I used to listen to him. From the cowardly part of my character, I'm always in fear of not telling the right story. I'm not interested in making epics.

Elia Suleiman

Change background

T
T
T

Change font

TAGS & TOPICS

Elia Suleiman
Age: 64
Born: 1960
Born: July 28
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Natzrat
Right
Making
Remains
Ambience
Years
Fear
Interested
Interpreting
Way
Father
Listen
Cowardly
Always
Stories
Emotion
Epic
Time
Part
Told
Fifteen
Certain
Courses
Twenty
Used
Course
Twenties
Character
Story
Telling
Epics

More quotes by Elia Suleiman

Image
It's crucial to choose your work place - some places lend themselves to you and others don't.
Elia Suleiman
Image
There are a lot of questions that come out of the silence. It is so close to the infinite.
Elia Suleiman
Image
I don't think you can strategize to be poetic and neither can you strategize to be funny. It is not a tool, it is itself - it comes from the moment, from the character, from the background, from the streets.
Elia Suleiman
Image
It's a false illusion that we wake up thinking of who we are in terms of identity and that we are stuck in the boundaries of who we are nationalistically.
Elia Suleiman
Image
I think that whatever we express in terms of the potential truth is above all else about mobilizing ourselves for ourselves. We learn about ourselves as individuals. Identification with Palestine is universal and not restricted to geographic boundaries. It's a question of moral and ethical positions vis-à-vis all the injustices that surround us.
Elia Suleiman
Image
I don't think there should be a Palestinian state because I don't believe in states.
Elia Suleiman
Image
Living more intensely, more lovingly, with more camaraderie, that is in itself resistance.
Elia Suleiman
Image
I'm trying to use Palestine as a microcosm of the world, but maybe the world is a microcosm of Palestine. We're living in a moment that has lost attachment to the ideology behind boundaries.
Elia Suleiman
Image
Palestine is about how we drink the water, whether we are being ecological or not. Palestine is our way of exercising our daily living. That's what's going to solve the problem of Palestine. It's also how we think of ourselves spiritually. This kind of disconnectedness is harmful to the person who is acting that way and is sometimes annoying.
Elia Suleiman
Image
A lot of narrative films leave you no space for anything else but eating popcorn. I want to go in the complete opposite direction. I have to evacuate all psychology, to be less a protagonist and more a presence.
Elia Suleiman
Image
People in power tend to find poetry dangerous to them because it is dislocating, they can't catch it, can't control it. They prefer coherence, what's blunt and has clarity.
Elia Suleiman
Image
I don't really know what people's perception about Palestinians.All art is to better life. We want to create hope and share with others. Create more pleasure, and object to despair. Really it's about that. A space where we can be less aggressed upon.
Elia Suleiman
Image
I don't particularly have a good memory. I think history is many times just the text written by the victors. I wanted to counter that aspect.
Elia Suleiman
Image
I try to use fiction in order to reduce the potentiality of something being true. We produce our own memories so I'm not sure of truth.
Elia Suleiman
Image
I am more at peace than I've ever known myself to be. My connectedness to the world is more intense. I am more attentive to the humanity around me.
Elia Suleiman
Image
The problem is that when you grow absolutely certain that all authorities are corrupt, then that would include the Palestinian authorities as well.
Elia Suleiman
Image
I'm not in the business of saying just one thing about just one place. If you only see Palestine in my films, then I've failed because then I'm just a provincial filmmaker.
Elia Suleiman
Image
If a person just takes what is socio-political and geographical from the themes of my films then that's not enough. But if the person goes out of the theatre and, for example, makes the dinner he's eating later on, extra nice then I feel that I have succeeded. We have this urge to anaesthetize the moment we're living in.
Elia Suleiman
Image
I don't want what you see on the screen to just be a brief notion of pleasure but something that lingers. The idea is to have the images revisited. I want it to be something that also enhances the soul. I want the moment of pleasure to produce an attachment.
Elia Suleiman