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There was no doubt that there was a vast organization which was making fools of all the liberals in Hollywood and taking their money, that there was a police state among the Left element in Hollywood and Broadway.

Elia Kazan

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Elia Kazan
Age: 94 †
Born: 1909
Born: September 7
Died: 2003
Died: September 28
Actor
Director
Film Actor
Film Director
Film Producer
Producer
Screenwriter
Theatrical Director
Writer
Istanbul
Elias Kazantzoglou
State
Police
Making
Organization
Left
Elements
Money
Hollywood
Liberals
States
Fool
Broadway
Among
Fools
Taking
Element
Doubt
Vast

More quotes by Elia Kazan

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Take it from a director: if you get an actor that Sandy Meisner has trained, you've been blessed.
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I will say nothing to an actor that cannot be translated into action.
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Acting, I found, was the biggest charge I ever had. What other artist has it so good? Approval so quick?
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The essence of the stage is concentration and penetration. Of the screen action, movement, sweep.
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I was the true future. I understood Communism better than they did.
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I was very intense. I think it's a privilege to be an actor.
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The motion pictures I have made and the plays I have chosen to direct represent my convictions.
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I value peace, too, when it is not bought at the price of fundamental decencies.
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I was not what you'd call a first-class actor, but I did all right.
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A film director has to get a shot, no matter what he does. We're desperate people.
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To be a member of the Communist Party is to have a taste of the police state. It is a diluted taste but it is bitter and unforgettable.
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A good director's not sure when he gets on the set what he's going to do.
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I was not a collective person or a bohemian I was an elitist.
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Criticism- a big bite out of someone's back.
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I said to Tennessee, this thing is becoming the Marlon Brando show.
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I don't remember anything anybody said in any Jack Ford picture. Nothing happens except action.
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Anybody who informs on other people is doing something disturbing and even disgusting.
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I was able to capture on film things the actors didn't even know they were doing.
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When you know what an actor has, you can reach in and arouse it. If you don't know what he has, you don't know what the hell is going on.
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Some directors, like Stevens [George Stevens], shoot full circle, 360 degrees, and that's what's right for them. I generally shoot at about a seven to one ratio. But part of that is because I've worked on every screenplay, so I'm further along in the visual concept.
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