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There was no doubt that there was a vast organization which was making fools of all the liberals in Hollywood and taking their money, that there was a police state among the Left element in Hollywood and Broadway.

Elia Kazan

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Elia Kazan
Age: 94 †
Born: 1909
Born: September 7
Died: 2003
Died: September 28
Actor
Director
Film Actor
Film Director
Film Producer
Producer
Screenwriter
Theatrical Director
Writer
Istanbul
Elias Kazantzoglou
State
Police
Making
Organization
Elements
Left
Hollywood
Liberals
Money
Fool
Broadway
States
Among
Fools
Taking
Element
Doubt
Vast

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I was very intense. I think it's a privilege to be an actor.
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You have to remind people of their own struggles. It's a responsibility.
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I was an outsider... but I was also sympathetic with people that were struggling to get up, because I struggled to get up.
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The thing with films is that you have to make something that will get people out of their houses, away from the TV set. You must touch people, say something. Otherwise, they'll stay at home.
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I was the hero of the young insurgent working class art movement.
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I was born in Turkey in an extremely oppressive climate at the time of pogroms, massacres, really. An immigrant appreciates the freedom more.
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There aren't many male stars - that's a loose term - like Kirk [Douglas] around. Most of those virile personalities have to keep working, continue the image because they can't do anything else. They don't even read. Their real identity is in making those pictures. They have to keep jumping on horses and hitting somebody on the head with a gun.
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When you know what an actor has, you can reach in and arouse it. If you don't know what he has, you don't know what the hell is going on.
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The world was like a huge red carpet out ahead of me to be walked on. And it stretched on and on, no end.
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Some directors, like Stevens [George Stevens], shoot full circle, 360 degrees, and that's what's right for them. I generally shoot at about a seven to one ratio. But part of that is because I've worked on every screenplay, so I'm further along in the visual concept.
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Criticism- a big bite out of someone's back.
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I knew the exuberance of playing before an admiring audience and hearing my secret voice.
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Very often the Group actor is a critic when he's acting and an actor when he's criticizing.
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Take it from a director: if you get an actor that Sandy Meisner has trained, you've been blessed.
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I left the theater I literally left to begin a new life.
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I said to Tennessee, this thing is becoming the Marlon Brando show.
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I will say nothing to an actor that cannot be translated into action.
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For years after I resigned, I was still faithful to their way of thinking. But not in the American Communists.
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Anybody who informs on other people is doing something disturbing and even disgusting.
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